Episode 126

The Japanese Shigin Vocal Tradition—and Electronics

Playlist

Track Time

Start Time

Introduction –Thom Holmes

04:46

00:00

1.     Mix of Susumu Yokota, “Saku” from Sakura (1999 Skintone) plus Abe Shũfu II, “Mount Fuji” from Music Of The Shigin: Chanting To Chinese Poetry (1975 Folkways). Album of electronic music from the late composer Susumu Yokota and a track from Folkways of Japanese shingin folk music.

05:42

04:54

2.     Mix of Shiro Michi,“マドンナの宝石 (Intermezzo From "The Jewels Of The Madonna)” from エレクトーン 名曲アルバム (Electone Masterpiece Album)(1965 Polydor). Plus a female shigin performer accompanied by koto from a Japanese collection of shigin singers (1973 Toshiba TY-40077), side 2, track 6. Shiro Michi, Shiro Michi, was a popular Japanese Hammond organist in the 1950s, and Electone artist from the 1950s-2000s since 1958. This track was performed on the Yamaha Electone.

03:02

10:34

3.     Mix of Shiro Michi, “ドナウ川の漣 (Danube Waves Waltz)” from エレクトーン 名曲アルバム (Electone Masterpiece Album)(1965 Polydor). Plus a male shigin performer accompanied by bamboo flute and koto from a Japanese collection of shigin singers (1973 Toshiba TY-40077), side 1, track 2.

04:46

13:34

4.     Mix of a fragment of Shiro Michi and shigin, which I have called “Shigin Skip Organ” because of the prominence of the LP skip throughout. “ドナウ川の漣 (Danube Waves Waltz)” from エレクトーン 名曲アルバム(Electone Masterpiece Album)(1965 Polydor) plus a skipping record of a male shigin performer with koto.

04:08

18:17

5.     Omoide Hatoba, “Alternative Funkaholic” from Kinsei (1995 Earthnoise).

02:30

22:24

6.     Omoide Hatoba, “Satellite Groove” from Kinsei (1995 Earthnoise).

03:53

24:52

7.     Neohachi, “Dog More Than Cat” from Lovecadio Hearn (2013 White Paddy Mountain). Neohachi is a Japanese female duo, formed in 2005 and featuring Lily (Shigin Vocals) and Elly (Synthesizers).

06:09

28:40

8.     Neohachi, “Eternal, Eternal, Eternal” from Lovecadio Hearn (2013 White Paddy Mountain).

02:31

34:36

9.     和楽器バンド (Wagakki Band), “Akatsuki no Ito”from    八奏絵巻(Wildflowers Scroll). Bass, 亜沙 (Asa); Drums, 山葵 (Wasabi); Guitar, 町屋 (Machiya); Koto, [箏], いぶくろ聖志(Ibukuro Masashi); Shakuhachi, [尺八], 神永大輔 (Kaminaga Daisuke); Shamisen, [津軽三味線], 蜷川べに(Ninagawa Beni); Taiko, [和太鼓], 黒流 (Kurona); Shigin Vocals, 鈴華ゆう子 (Suzuhana Yuko). Suzuhana Yuko provides the shigin vocals in this convergence of hard rock and traditional Japanese music. The whole outfit is outstanding but I like the pre-eminence of female musicians. For example, check out this Japanese video of Ninagawa Beni shredding the Shamisen. Here’s a 2023 performance by Wagakki Band featuring a vocal by Yuko.

03:28

37:22

10.   和楽器バンド (Wagakki Band), “Nadeshiko Zakura” from 八奏絵巻(Wildflowers Scroll). Bass, 亜沙 (Asa); Drums, 山葵 (Wasabi); Guitar, 町屋 (Machiya); Koto, [箏], いぶくろ聖志(Ibukuro Masashi); Shakuhachi, [尺八], 神永大輔 (Kaminaga Daisuke); Shamisen, [津軽三味線], 蜷川べに(Ninagawa Beni); Taiko, [和太鼓], 黒流 (Kurona); Shigin Vocals, 鈴華ゆう子 (Suzuhana Yuko).

04:44

40:48

11.   Shigenori Kamiya(神谷重徳), “ファラオの墓 (Farao (Pharaoh) No Haka)” from Digital Trip ファラオの墓 シンセサイザ ファンタジ (Digital Trip Pharaoh's Tomb Synthesizer Fantasy). Composed By, Synthesizer, Shigenori Kamiya (神谷重徳).

03:12

45:28

12.   Gagaku Shigenkai, Ryōō from Unesco Collection, A Musical Anthology of the Orient: Japan II (1962 Musicaphon). "Ryōō" was recorded in Tokyo in 1962. Shigenkai, was a traditional Japanese music ensemble attached to the Imperial Household Agency, playing flutes, drums, and string instruments. I did a remix of this, adding delay and some droning tones and then double-tracking the whole piece as a way to transforms these lovely, acoustic tonalities into an electronic mélange.

07:18

48:38

13.   Otomo Yoshihide (大友良英), “Film Maker From Kreuzberg,” from We Insist? (1992 Sound Factory). Turntables, Sampler, Tapes, Guitar, Otomo Yoshihide.

02:55

55:50

14.   After Dinner, “An Accelerating Etude” from After Dinner (1984 Recommended Records). Engineer, Producer, Voice, Synthesizer, Tape, Koto (Miniature 13 String, Taisho-goto), Plastic Flute, Percussion, Haco. Vocalist/lyricist-composer/multi-instrumentalist/sound-artist. Album compiled for the UK release from the original Japan records known as the Glass Tube LP and an After Dinner 7.”

04:11

58:42

15.   After Dinner, “Sepia-Ture II” from After Dinner (1984 Recommended Records). Alto Saxophone, Kaname Nakagawa; Arranged by, Y. Utsunomia; Bass, Drum, Miyuki Komori; Bass, Violin, Tadahiko Yokokawa; Koto (Taisho-goto), Yasushi Utsunomia; Snare, Masaaki Kawaguchi; Soprano Saxophone, Masaharu Ito; Tenor Saxophone, Seiichi Kuroda; Voice, Haco.

02:25

01:02:50

16.   Wha Ha Ha, “Keiro No Hibi” and “On The Floor” from 死ぬ時は別 (It’s Different When You Die) (1981 Better Days). The second part of this combination track is a different of “On the Floor” that is sung by Mishio Ogawa. The version I am most familiar with was sung by a man so this is a refreshing variation. Computer, Takafumi Fuse; Effects [Sound Effects], Fujio Akatsuka; Engineer, Kazuhiro Tokieda, Takafumi Fuse; Guitar, Shigenori Kamiya; Keyboards, Shuichi Chino; Percussion, Kiyohiko Senba; Saxophone, Voice, Akira Sakata; Voice, Mishio Ogawa.

11:57

01:05:09

Opening background music: Ryuichi Sakamoto, “Nuages” from Heartbeat (1991 Virgin Japan). Written by Sakamoto, the vocal is delivered by the remarkable Algerian singer Houria Aichi (2:15 ).

Opening and closing sequences voiced by Anne Benkovitz.

Additional opening, closing, and other incidental music by Thom Holmes.

My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022.

See my companion blog that I write for the Bob Moog Foundation.

For a transcript, please see my blog, Noise and Notations.