The Oresteia (1999): Design Concepts

Update: 2013-08-05

Description

Professor Oliver Taplin discusses elements of production design in Katie Mitchell's 1999 version of Aeschylus's The Oresteia.

Comments

In Channel

Women in Greek Theatre

2015-03-0406:56

Modern Interpretations of Greek Chorus

2015-01-1504:54

Medea: Staging a contemporary play

2014-09-1803:13

Medea: Women in Ancient Greece

2014-09-0327:28

Medea: Motives and Murder

2014-08-2733:19

Medea: Act of Madness

2014-08-2130:15

Women of Troy (2007): Stage Design

2013-08-0603:22

The Oresteia (1999): Design Concepts

2013-08-0502:07

The Oresteia (1999): Use of Multimedia

2013-08-0502:48

The Oresteia (1981): Music and Language

2013-08-0501:38

Objects from Greek plays at the National Theatre

2013-08-0501:06

Oedipus (2008): Set Design

2013-08-0502:14

The Oresteia (1981): From Epidaurus to the Olivier

2013-08-0501:54

The Oresteia (1981): Use of Masks

2013-08-0501:59

An Introduction to Greek Comedy and Satyr Drama

2013-03-2705:12

Antigone: Heightened Language

2013-02-1204:50

Antigone: Creon and Haemon

2013-02-0804:20

An introduction to Antigone

2013-02-0708:33

The Ancient Greek Chorus

2013-02-0706:19

Antigone: Creon and Antigone

2013-02-0704:57

00:00

The Oresteia (1999): Design Concepts

#box-pro-ellipsis-175764762437835{-webkit-line-clamp:2;}The Oresteia (1999): Design Concepts

The Oresteia (1999): Design Concepts

The Oresteia (1999): Design Concepts