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Table reads are an essential tool for audio drama writers to hear their work aloud and gather feedback for improvement before production. The process helps identify issues with dialogue, pacing, and storytelling that may not be apparent on the page.

• Type of table reads: in-person versus video conferencing, each with benefits and challenges
• Finding participants: seek people with strong reading comprehension, not necessarily professional actors
• Preparation: provide scripts 24+ hours in advance, include pronunciation guides if needed
• Technical considerations: choose appropriate platforms, plan for time zones, prepare for technical hiccups
• Soliciting feedback: use the Liz Lerman Critical Response Process for constructive critique
• Handling feedback: distinguish between actionable feedback and unhelpful criticism
• Rewriting process: take a break after the read, consider rewriting from memory
• Celebrating completion: recognize the achievement of finishing a draft and braving feedback

Send us your table read experiences at writersadwit@gmail.com and join our Discord to continue the conversation! Ah Gwan!

Thank you for listening! We would love your support in getting this to folks so please do share it - and also….review! We truly hope these episodes are useful - email us on writersadwit@gmail.com with any thoughts or suggestions with our hearty thanks!

Remember to #CelebrateTheWin! 

Happy writing!

Sarah and Lindsay

Links mentioned in the show

Julie Hoverson’s Discord group for reading  scripts

Sivan Raz Director

Liz Lerman critical response process

Conference Connection tools

ALITU

Cleanfeed

Zoom

Riverside

Discord

Squadcast

Google Meet

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Thank you!

Sarah and Lindsay