What happens when your documentary feels flat and unengaging, despite all your hard work? This was the main question behind a Masterclass I gave at  the World Congress of Science and Factual Producers.

We look at  why a lack of storytelling craft and mentorship in the industry often leads to issues with storytelling, and debunk the myth that extensive planning compromises authenticity. Also I  contrasts the techniques used in drama and documentary, highlighting the crucial need for structural organization to create compelling narratives.

As case studies I look at  both the Natural History documentary about Meerkats, with commentary read by Sir David Attenborough, and the storytelling techniques behind the hugely popular Netflix series "F1: Drive to Survive." 

I explain how the Netflix  series we used commentators and scripted lines to clarify the intricate dynamics of Formula One racing, weaving multiple narrative layers to offer a richer and more engaging story. I also look at  methods for balancing external and internal conflicts in documentaries, using examples from both racing and science documentaries. 

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Incidental music composed by Birger Clausen