This week we talk about Taylor Swift, knife attacks, and immigration politics.

We also discuss immigration rationales, riffraff, and terrorist plots.

Recommended Book: AI 2041 by Kai-Fu Lee and Chen Qiufan

Transcript

American musician, singer, and songwriter Taylor Swift, at age 34, recently became the world's first music industry billionaire who's primary source of income is their music—as opposed to side-businesses, work, and royalties in adjacent or completely disconnected industries.

A lot of that wealth has stemmed from her incredibly successful, and ongoing—as of the day I'm recording this at least—Eras tour, which began in March of 2023 and which is her sixth tour, and by far the biggest in scope, scale, and success.

The Eras Tour, by itself, has surpassed a billion dollars in revenue—the first tour to ever hit that milestone—and it's had all sorts of interesting direct ramifications and repercussions, like bolstering Swift's music sales and streams, but also indirect ones, like creating a sort of economic weather system wherever these tour stops are planned: it's been estimated, for instance, that the Eras Tour contributed something like $4.3 billion to the GDP of the United States, and the WSJ dubbed these economic impacts "Taylornomics," as the combination of travel, food, entertainment, and other spending surrounding her tour dates, folks coming from all the around the world to visit the relevant cities, attend the concert, and spend on those sorts of things while in town, has all had a meaningful impact legible in even the huge-scale numbers of national income figures.

Swift, then, has been having quite the moment, following the several decades of work in this industry leading up to this tour.

And the swirl of activity—economic and cultural, especially—around her Eras Tour stops have made these events central to the collective consciousness, grabbing lots of airtime and watercooler talk wherever she shows up, because of how much of an event each of these stops are; and notably, they have been very well reviewed, in terms of the performance, the sets, the planning, everything—so it would seem that the attention being focused on these shows isn't superficial and reflexive, it's the result of having put together something pretty special for people who are willing to spend to attend that kind of event.

It maybe shouldn't come as a surprise, then, that there may be people out there looking to garner attention for themselves and their causes who see these events as an opportunity to do exactly that.

Three sold-out shows in Vienna, Austria were cancelled in early August due to a plot by what seems to have been several teenagers looking to kill as many people as possible outside the tour's local concert venue.

An investigation into this plot is ongoing, so there's still a fair bit we don't know, but what's been divulged so far is that three people have been connected to the plot and detained, the main suspect is a 19-year-old who planned to use knives and/or explosives to kill as many of the 30,000 or so onlookers who gather outside the show venues each night as possible—and another 65,000 people would have been inside the venue, so that's a lot of people, and a lot of potential for stampede-related injuries and deaths, alongside those that could be caused with knives and bombs—and that he, alongside two other suspects, a 17-year-old and an 18-year-old, was inspired by the Islamic State group and al-Qaida—the 18-year-old, who is an Iraqi citizen, apparently having pledged himself to the Islamic State.

Propaganda materials from both terrorist organizations were found at the 17-year-old's home, alongside bomb-making materials, and he was hired just a few days before being caught by a company that provides some type of service to the concert venue; specifics about what said company provides haven't been officially divulged yet, but the theory is that this job was meant to give him and his accomplices some kind of access, allowing them to do what they intended to do more effectively.

There were a lot of disappointed Swift fans in Vienna who in some cases spent thousands of dollars just getting and staying there for the concert, only to be told that it was cancelled; most of the response from those affected in this way seems to be relatively upbeat, though, considering the circumstances, pretty much everyone breathing a sigh of relief that this plot wasn't pulled off successfully, which could have resulted in something like what happened at Manchester Arena in 2017, when an Ariana Grande concert was attacked by an Islamic extremist with a bomb who killed 22 people and injured more than 1,000.

Swift's representatives have said that her next concert, scheduled for between August 15 and the 20th, are still on the books and ready to go, at London's Wembley Stadium, which will close-out the European leg of this record-setting tour.

London's mayor has said that local authorities are prepared for whatever might happen, having learned a lot from that aforementioned Ariana Grande concert in 2017.

What I'd like to talk about today is a bout of violent rioting that broke out in the UK recently, which is loosely connected to Swift and her music, though only adjacently, and is primarily focused on the roiling topic of immigration and its British discontents.

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At the tail-end of July, 2024, there was a knife attack in Southport, a town in northwestern England, in which three young girls were killed and ten other people, eight of whom were also children, were injured—some very badly injured.

This attack targeted a Taylor Swift-themed yoga and dance workshop that catered to children ages 6 to 11, twenty-five of whom were in attendance—hence that large number of young victims. And the adults who tried to stop the attacker were all themselves injured, in some cases critically, and the assailant was only ultimately halted when a pair of police officers managed to subdue him.

The person behind this attack, and those murders, is a 17-year-old British citizen who was arrested at the scene, and whose identity was initially concealed from the public because of how privacy laws work in the UK, related to minors; they tend not to divulge identifying details when crimes are committed by people who are legally children, though in this case they ultimately decided to do so, for reasons I'll get into in a moment.

Thus far, there isn't a clear motive behind this attack—the attacker has been diagnosed with autism spectrum disorder and was apparently deep in the midst of some kind of self-imposed isolation leading up to his apparent decision to take a taxi to this workshop and kill a bunch of children.

He's been charged with possession of a bladed article, ten counts of attempted murder, and three counts of murder, and his trial date is currently set for the end of January in 2025.

This attack is currently not being treated as a terrorist incident, though again, no clear motive has been established, and there's a lot that's not known, and likely quite a bit that hasn't been publicly divulged yet.

This knife attack, unto itself, led to a lot of headlines and attention because of how just brutal and horrible it was.

But in the aftermath of the attack, possibly because the attacker wasn't named, again, because he was a minor, rumors and then outright misinformation began to spread around less-than-legitimate news entities in the UK, and across social media platforms and messaging apps like Telegram, many of them suggesting or directly alleging that the attacker was someone he was not—a false name was given to him by some of those spreading these rumors—and even in cases when a name wasn't misattributed or fabricated, he was alleged to be an immigrant seeking asylum—which is also incorrect; his parents are from Rwanda, but he was born in Cardiff, and is thus a British citizen.

Within days these rumors and this mis- and dis-information, this accidental and purposeful spreading of mistruths, began to reach a fever-pitch, the zone flooded with patently untrue claims and narratives, which is why the police decided to release the attacker's name publicly on August 1; it was going to happen within a week or so, anyway, because he was turning 18 on the 7th, so the idea was to get ahead of that impending forced divulgence, and to try to temper some of that false information spread within facets of British society in the meantime.

Most of the false stories, though, hung on, even after officials made this information public, and to understand why, it's important to understand what a political force anti-immigration sentiment has become in Britain over the past few decades.

The British aren't alone in this, of course: especially in wealthier countries, mostly but not exclusively conservative politicians and parties have been making hay with claims about folks from other countries coming into their territory, taking their jobs, gobbling up their social services, and changing their culture into something those who came before feel they no longer recognize.

Part of this is just the consequence of societies changing being reframed into something devilish and wrong, part of it is the reframing of stagnating economic conditions as something that's being done to their societies by outside forces, not by uncontrollable macro variables like pandemics, and controllable variables that are being mismanaged by those in power.

Part of it, though, is related to real-deal demographic shifts, as folks flee from repression, violence, economic deterioration, and dangerous climactic happenings in less-wealthy parts of the world to those that are currently not suffering from these things, or not to the