Workflow from design to fitting

Update: 2011-05-03

Description

The costume supervisor is the key liaison point between the costume workroom and the costume designer, but direct contact between the designer and maker really helps everyone to get a good idea of what's required. After the actor's measurements are received at the start of the rehearsal period, patterns and material can be cut and the costume assembled in a provisional form prior to a series of fittings, after which the costume will be assembled in its final form.

Comments

In Channel

Medea's Dress: Making Blood and Mud

2015-06-0904:45

Costume in The Light Princess: King Ignacia

2014-04-0205:49

Costume in The Light Princess: Althea

2014-04-0106:57

Acting with the bear costume

2012-11-2702:40

Costume design in His Dark Materials

2012-11-2703:11

18th century costumes for She Stoops to Conquer

2012-04-1903:57

Dressing Emily

2011-11-1401:23

Skirt alterations

2011-11-1401:52

Drafting a pattern

2011-11-0300:56

Adding sleeves to a woman's jacket

2011-11-0301:31

Rae Smith on designing costumes

2011-05-0901:38

Costume props

2011-05-0500:53

Costume department - overview

2011-05-0301:02

Buying costumes from vintage shops

2011-05-0301:20

Buying costumes on the high street

2011-05-0300:50

Costume bibles

2011-05-0301:05

Costume buying - overview

2011-05-0300:55

Costume designers' initial designs

2011-05-0301:47

Costume realism and detail

2011-05-0300:59

Workflow from design to fitting

2011-05-0300:52

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Workflow from design to fitting

#box-pro-ellipsis-176436216182160{-webkit-line-clamp:2;}Workflow from design to fitting

Workflow from design to fitting

Workflow from design to fitting