DiscoverThe Shit No One Tells You About WritingWriting Tightly on a Scene Level & Keeping Your Characters in Motion
Writing Tightly on a Scene Level & Keeping Your Characters in Motion

Writing Tightly on a Scene Level & Keeping Your Characters in Motion

Update: 2022-12-22
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In today’s Books with Hooks, Carly and CeCe critique two queries each, in the process discussing the pros and cons of epistolary novels; the #ownvoices term being retired; baiting the reader in the opening pages; having too much character description and not enough plot in the query; linguistic calibration and earned emotionality; problems with omniscient POV and breaking the fourth wall; vulnerability in unlikable characters; and having a compelling ending to a chapter.

After which CeCe chats with Caitlin Barasch, author of A Novel Obsession, about her query letter and how she got her agent; how the editing process worked after the book deal; writing unlikable female characters; how suspense can live in the psychology of the story; writing tightly on a scene level; constantly keeping your character in motion on some level to keep the story moving forward; continually escalating things for the MC; writing “pause pebbles”; and how to find the heart of your story.

Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing

Facebook: @tsnotyaw

Websites: www.theshitaboutwriting, www.biancamarais.com and www.carlywatters.com 

Caitlin can be found at www.caitlinbarasch.com, on Twitter at @CatilinBarasch and on Instagram at @soembarasched



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Writing Tightly on a Scene Level & Keeping Your Characters in Motion

Writing Tightly on a Scene Level & Keeping Your Characters in Motion

Bianca Marais, Carly Watters and CeCe Lyra