Max Diesing on “33 and a third” years of running Prague indie music store

Lukáš Dolanský: I loved London – but I'm happy I don't have to live there

“Disinformation is a lifestyle”: Tomáš Koblížek on how fake news thrives – and how to resist it

“Anything is possible”: Zdeněk Vacek on 25 years of turning life into jewellery

“I like big tasks”: Zuzana Stivínová on Havel, Forman and joy of acting at National Theatre

The Grandmother translator Susan Reynolds on bringing Czech classic to English-speaking readers

Director Tereza Nvotová on Father, Mečiar and the politics making her “very scared”

David Mareček: We want whole nation to feel part of success of Czech Philharmonic – it’s theirs too

Otto Eibl on Czech elections 2025: Fiala’s legacy, Babiš’s legal woes, “threats to liberal democracy”

Anna Shavit on campaigning with early ANO, “very polarised” 2025 elections – and potential coalitions

Barbora Baronová, the “punk” publisher putting art before financial stability

“Top Czech influencer” Kovy on politics, marriage equality – and life beyond social media

Brendan McNally on Martha Dodd, “nympho” spy for Soviets who lived in Prague for decades

Police vs. ravers: Šimon Šafránek on how CzechTek culminated in violence

Michael Tate on Czech roots, Prague – and the serendipitous birth of Jantar Publishing

Czech-Vietnamese director Dužan Duong: I’m torn between two worlds – but I use this as an advantage

Prague’s hidden histories: Chad Bryant on exploring city’s diverse identities via marginalised figures

Ondřej Provazník on taking inspiration from choir abuse scandal for Broken Voices

Pet insurance exec Derek Cummins: I have to speak Czech to my shelter dog

Marcus Mucha: It’s not nice when you see your family name in Goebbels’ handwriting