Exploring social cohesion in cairo

“Cactus Flower”, directed by Hala Elkoussy, offers a poignant look at familial and cross-generational relationships amidst Cairo’s vibrant urban landscape. The film follows Aida, a young woman in her late 20s, and her friendship with Samiha, an elderly woman over 70, who both face displacement in a city constantly evolving.

Inspired by the Arab Spring

Elkoussy explains that her inspiration stemmed from her experiences during the Arab Spring, which she describes as a period when societal boundaries blurred and different generations interacted more openly. The film investigates how such dialogue can foster understanding across age gaps, challenging traditional family structures often marked by rigidity. “There’s a powerful possibility for change if communication remains open between the young and the old,” she emphasizes.

Blending Realism and Surrealism

The film’s tone masterfully shifts between realism, absurdity, and dreamlike sequences, reflecting Cairo’s labyrinthine personality. Coming from a background in visual arts, Elkoussy prioritizes experimentation and emotional truth over conventional storytelling. She captures Cairo’s architecture, street life, and the city’s psychological imprint on its inhabitants, portraying it as an almost living being with whom individuals have a complex, intimate relationship.

Universal Themes and Contemporary Relevance

Elkoussy also discusses her new film presented at Doclisboa, “East of Noon”, which shifts focus to universal themes of youth and hope. Both films emphasize timeless human values like dignity, care for elders, and the importance of preserving hope in rapidly changing times.

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