Nidhi Saxena is the director of the film “Secret of a Mountain Serpent”, one of the four films of the Biennale College program,  a compelling reflection on the themes of confinement, cultural identity, and the transformative power of dreams. Premiering at the 82nd Venice Film Festival and starring Adil Hussain, this introspective piece captures the stark realities faced by women living in mountainous regions, juxtaposed with their aspirations and inner strength.

Unveiling the Artistic Vision

“Secret of a Mountain Serpent” delves into the lives of women in isolated mountain communities, where the landscape often feels like a prison. The filmmaker emphasises the importance of change and perseverance. She reflects on how women in these areas dream of transformation — not just individual growth, but societal shifts as well. “It’s fascinating how women can change, how dreams can finally materialise,” she notes. The narrative explores their journeys of self-discovery, underlying that change often begins with a resolute desire to pursue one’s passions.

Authenticity and Cultural Roots

Set against the backdrop of Rajasthan and the northeastern regions of India, including Sikkim, “Secret of a Mountain Serpent” authentically portrays the diverse tribal cultures. “I want to show the essence of their dreams, their hopes, without necessarily highlighting conflict,” she explains.

Themes of Transformation and Hope

Throughout the movie, the theme of transformation is palpable. Nidhi Saxena speaks about a long-held vision, rooted in her passion for storytelling and her cultural heritage. She believes that storytelling can be a catalyst for change, reflecting her conviction that dreams hold the power to reshape realities. “Change is a principle we follow,” she states. Whether addressing gender roles or societal expectations, the film underscores that even in the most remote corners, aspirations persist. The characters’ journeys symbolise a broader universal struggle to break free from constraints and realize their true potential.

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