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[Intro] Oh, yes Oh, slide [Verse] Xenon's with the blue color If that's a lease, least it look cool on you That's your business, and I'm off, when I'm on you Like holidays, I get off on you “Xenons” is the eighth track on Frank Ocean’s visual album Endless. Originally thought to be the outro of “Comme des Garçons,” the song was revealed on the tracklist of the CD/LP & DVD/VHS reissues of Endless, released on Cyber Monday 2017; the track was not listed in the title sequence of the 2016 Apple Music release despite its appearance during the visual album itself. “Xenons” is 31 seconds in length and acts as an interlude between “Comme des Garçons” and “Honeybaby.” The title refers to Xenon, the 54th element on the periodic table, used to make neon signs and headlights on cars. Ocean’s love for cars is well documented, one example being the cover of his 2011 mixtape nostalgia, ULTRA, which features a bright orange 1980s BMW E30 M3, Ocean’s “dream car.” He also often posts about cars on his Tumblr page. **Credits** **Producers** Frank Ocean, Vegyn **Writers** Frank Ocean, Vegyn **Mixing Engineers** Tom Elmhirst, Noah Goldstein **Assistant Mixing Engineer** Joe Visciano **Recording Engineer** Caleb Laven **Additional Recording** Beatriz Artola, Greg Koller, Eric Caudieux **Programmer** Vegyn **Label** Def Jam Recordings, Fresh Produce, LP, ​blonded **Copyright ©** Fresh Produce, LP, Boyfriend (Label) **Phonographic Copyright ℗** Fresh Produce, LP **Recorded At** MSR Studios **Release Date** August 19, 2016 **Tags** R&B, EDM, Alternative R&B **US:** © Under Section 107 of the Copyright Act 1976, "fair use" allows the use of copyrighted material for criticism, comment, news reporting, teaching, scholarship, and research. This use is permitted by law and may favor non-profit, educational, or personal purposes. **EU:** © The EU Copyright Directive 2001/29/EC permits the use of copyrighted material under certain exceptions for criticism, review, news reporting, teaching, and research. Non-commercial, educational, or personal use may support these exceptions. Aug. 19, 2016

Device Control — 00:28 At Your Best (You Are Love) (feat. James Blake, Jonny Greenwood, and the London Contemporary Orchestra) — 00:51 Alabama (feat. Sampha and Jazmine Sullivan) — 6:11 Mine (feat. Arca) — 7:37 U-N-I-T-Y — 8:07 Ambience 001: In A Certain Way — 11:01 Commes Des Garcons — 11:12 Ambience 002: Honeybaby — 12:11 Wither (feat. Alex G and Jazime Sullivan) — 12:51 Hublots (feat. Jazmine Sullivan) — 15:25 In Here Somewhere — 15:45 Slide On Me (feat. Alex G) — 18:57 Sideways — 22:07 Florida — 23:59 Deathwish (ASR) — 25:49 Rushes (feat. Alex G and Jazime Sullivan) — 26:33 ish? Rushes To — 27:09 Higgs (feat. Alex G) — 32:44 Device Control — 38:43 **Endless** is a visual album by Frank Ocean, released on August 19, 2016, just before his second studio album **Blonde**. This project completed Ocean's contract with Def Jam Recordings, allowing him to release Blonde independently. **Endless** is exclusively available as a music video on Apple Music. A remastered audio-only version, released in 2017 on CD and LP, is not available on streaming services. The visual album was filmed at the M. Blumberg warehouse in Brooklyn, New York, and features Ocean building a 12-foot staircase. A color version of the album surfaced online in May 2024, shared by visual effects artist Grant Lau, but it is not officially released. Artist Tom Sachs, who collaborated with Ocean, described the video as Ocean building a "stairway to heaven," noting the transparency in both the construction process and the music. The visual album's total runtime is approximately 46 minutes, with minor differences between various versions. Sachs also built a large boombox, Toyan’s Arsenal, featured in the visual album, symbolizing a connection to Jamaican sound systems. **Credits** **Executive Producer** Frank Ocean **Producers** Frank Ocean, Vegyn, TROY NōKA, Michael Uzowuru **Video Director** Frank Ocean **Video Director of Photography** Francisco Soriano **Video Production Designer** Thomas Mastorakos **Video Producer** Wendi Morris **Mixing Engineers** Tom Elmhirst, Noah Goldstein **Mastering Engineer** MIKE DEAN **Recording Engineer** Caleb Laven **Label** Def Jam Recordings, Fresh Produce, LP **Publisher** EMI Music Publishing **Primary Artists** Frank Ocean, Wolfgang Tillmans **Writers** Frank Ocean, 88-Keys, Arca, Michael Uzowuru, TROY NōKA, Vegyn, Wolfgang Tillmans **Orchestra** London Contemporary Orchestra **Photography** Thomas Mastorakos **Distributor** Apple Music **Background Vocals** Jazmine Sullivan **Guitar** Alex G, Austin Anderson, Frank Ocean, Spaceman Patterson **Synthesizer** Buddy Ross, James Blake, Kyle Combs, Tim Knapp, TROY NōKA **US:** © Under Section 107 of the Copyright Act 1976, "fair use" allows the use of copyrighted material for criticism, comment, news reporting, teaching, scholarship, and research. This use is permitted by law and may favor non-profit, educational, or personal purposes. **EU:** © The EU Copyright Directive 2001/29/EC permits the use of copyrighted material under certain exceptions for criticism, review, news reporting, teaching, and research. Non-commercial, educational, or personal use may support these exceptions. Aug. 19, 2016

[Intro] Go, go, go [Verse 1] Forbidden from the beginnin', I saw her there, up there Been like that since I met her, they said I couldn't have her Way out of my league, I never believed it Gotta get her heart, I gotta make her mine But what if she just tells me I'm not quite her speed or Shows me her bare hands and crushes my ego? Dismiss me as a kid, tells me I'm barely legal But barely legal is legal [Chorus] You ain't gone get in trouble Messin' with someone a little younger, younger You ain't gone get in trouble For messin' with someone a little younger Who loves ya Girl, if I gotta show ID (Show I-, show ID) Then I'm gonna (Gonna) Won't let you get in trouble For messin' with someone a little younger Younger, no [Verse 2] This conversation is taking us for a loop But taking you serious is difficult to do 'Cause I don't believe ya When you say that you don't Ever look at me quite that way (That way) You say that you tryin' to settle down But you think I'm handsome I should be having fun I shouldn't move fast So, let's go slower, not faster 'Cause it ain't no fun Without ya [Chorus] You ain't gone get in trouble Messin' with someone a little younger, younger You ain't gone get in trouble For messin' with someone a little younger Who loves ya Girl, if I gotta show ID (Show I-, show ID) Then I'm gonna (Gonna) Won't let you get in trouble For messin' with someone a little younger Younger, no “Trouble” is about wanting to mess around with an older woman. It is in The Lonny Breaux Collection. In the song Frank is assuring, or reassuring whoever he’s talking to that it is okay to be with him. Even if they get in trouble, he has proof that he could be considered “old enough”. **Credits** **Writer** Frank Ocean **Release Date** January 1, 2012 **Tags** R&B, Unreleased **US:** © Under Section 107 of the Copyright Act 1976, "fair use" allows the use of copyrighted material for criticism, comment, news reporting, teaching, scholarship, and research. This use is permitted by law and may favor non-profit, educational, or personal purposes. **EU:** © The EU Copyright Directive 2001/29/EC permits the use of copyrighted material under certain exceptions for criticism, review, news reporting, teaching, and research. Non-commercial, educational, or personal use may support these exceptions.

[Intro: Frank Ocean] American love American me American you American tears American heartbreak Oh, oh, oh [Verse 1: Frank Ocean] I took a walk with the palm trees As the daylight fell Sangria in a canteen Talking to myself (I can't remember) This tattoo on my left hand Is turning purple-ish blue Daydreams of the romance Daydreams of you (You) My pretty woman in a ballgown I'm Richard Gere in a tux Getting married in a courthouse Writing vows in a rush Making out before the judge With my teenage wife Got a wedding band done That I just might die with [Chorus: Frank Ocean] It's an American wedding They don't mean too much But we were so in love We had an American wedding Now what's mine is yours That's American law [Verse 2: Frank Ocean] M-R-S dot Kennedy She signed her name in pen (Oh) In the fancy, fancy cursive (Oh) Then turned her term papers in (Oh, oh) A thesis on Islamic (Oh) Virgin brides and arranged marriage (Ah, ah) Hijabs and polygamist husbands Those poor un-American girls After school she ran to me Jumped in my 5.0 This is the home of the brave, land of the free But your parents still didn't know (Oh) She said, "I've had a hell of a summer So, baby, don't take this hard But maybe we should get an annulment Before this goes way too far" (Oh) [Chorus: Frank Ocean] It's just an American wedding They don't mean too much They don't last enough We had an American wedding Now what's mine is yours American divorce [Verse 3: Frank Ocean] Well, you can have my Mustang That's all I've got in my name But Jesus Christ, don't break my heart This wedding ring won't ever wipe off But if you stay Oh, if you stay (Stay) You'll probably leave later, anyway It's love made in the USA [Instrumental Break] [Outro: James Fauntleroy] Don't let 'em front you, they sayin' you can't move Without 'em, fuck 'em, I tell 'em this ain't new We been some hustlers since it began, dude Ain't gon' be trippin' over some bitch-ass dude They so vain, I tell 'em this ain't you You could get sensitive, but this shit ain't true These niggas can't do nothin' that I can't do That she can't do, that he can't do That you can't do, that we can't do Man, I had a dream and then this shit came true And nigga, if I did it, I think you can too These niggas can't do nothin' that I can't do That she can't do, that he can't do That you can't do, that we can't do Man, I had a dream and then this shit came true These niggas can't do nothin' that I can't do That she can't do, that he can't do That you can't do The climax of Frank Ocean’s mixtape *nostalgia, ULTRA* is the song "American Wedding," which samples "Hotel California" by the Eagles, sparking controversy. Despite the mixtape's free release on Tumblr, the band demanded payment for live performances and threatened to sue. Ocean found this amusing. In 2015, Eagles member Don Henley harshly criticized Ocean, calling him a "talentless prick," and also criticized Okkervil River for a similar issue. **Credits** **Productor** James Fauntleroy **Escritores** Frank Ocean, Glenn Frey, Don Henley, Bernie Leadon, Randy Meisner, James Fauntleroy **Editoriales** BMG, Heaven’s Research, BMG Bumblebee **Fecha de Lanzamiento** 16 de febrero de 2011 **Samples Utilizados** "Hotel California" de Eagles **Etiquetas** R&B, Pop, Rock, Alternative R&B, Alternative Rock, Pop-Rock **US:** © Under Section 107 of the Copyright Act 1976, "fair use" allows the use of copyrighted material for criticism, comment, news reporting, teaching, scholarship, and research. This use is permitted by law and may favor non-profit, educational, or personal purposes. **EU:** © The EU Copyright Directive 2001/29/EC permits the use of copyrighted material under certain exceptions for criticism, review, news reporting, teaching, and research. Non-commercial, educational, or personal use may support these exceptions.

0:00 - Street Fighter 0:22 - Strawberry Swing 4:17 - Novacane 9:17 - We All Try 12:08 - Bitches Talkin’ 12:29 - Songs For Women 16:42 - Lovecrimes 20:42 - Goldeneye 21:00 - There Will Be Tears 24:14 - Swim Good 28:30 - Dust 31:03 - American Wedding 35:07 - Can’t Do 36:02 - Soul Calibur 36:19 - Nature Feels ### nostalgia,ULTRA. **Frank Ocean** Released February 16, 2011 **nostalgia, ULTRA** is Frank Ocean’s debut mixtape, released on his Tumblr and Odd Future’s Bandcamp with minimal promotion. Inspired by the aftermath of Hurricane Katrina, the mixtape explores themes of relationships, personal reflection, and social commentary. Ocean described it as a deeply personal project born from heartbreak. Initially tagged with the genre Bluegrass, Ocean explained this choice as a playful take on genre conventions. Despite plans for an EP release, the mixtape remained a free download, though singles like “Novacane” and “Swim Good” were officially released. **Critical Reception:** The mixtape received universal acclaim, with a Metacritic score of 83. Critics praised its careful plotting and unique songwriting. **Impact:** The mixtape caught the attention of major artists like Kanye West and Beyoncé, leading to significant collaborations. Nas also praised Ocean's fresh sound. **Accolades:** Included in many ‘Best Albums of 2011’ lists, the mixtape, though not RIAA certified, saw its lead single “Novacane” achieve Platinum status. **Title Variations:** The mixtape's title has several stylizations, reflecting Ocean's spontaneous naming process. **Legacy:** nostalgia, ULTRA established Frank Ocean as a distinctive voice in music, setting the stage for his future successes. **Credits** **Photography** Dricebug **Artwork** Frank Ocean **Copyright ©** Frank Ocean **Phonographic Copyright ℗** Frank Ocean & Odd Future **Publisher** Frank Ocean & Odd Future **Distributor** Tumblr & Bandcamp **Producers** Frank Ocean, Happy Perez, James Fauntleroy, Maejor, Midi Mafia, Tricky Stewart, TROY NōKA **Writers** Andrew VanWyngarden, Ben Goldwasser, Bernie Leadon, Bruce Waynne, Charlie Gambetta, Chris Martin, Dirty Swift, Don Henley, Ed O’Brien, Frank Ocean, Glenn Frey, Guy Berryman, Happy Perez, James Fauntleroy, Jonny Buckland, Jonny Greenwood, Maejor, Mr. Hudson, Monte Neuble, Philip Selway, Randy Meisner, Thom Yorke, Tricky Stewart, TROY NōKA, Will Champion **Background Vocals** Brandy, Tyler, The Creator **Bass** Alex Al **Label** Def Jam Recordings **Copyright ©** Def Jam Recordings **Distributor** Universal Music Group **Engineer** Brian “B-LUV” Thomas **Keyboards** Monte Neuble, Tricky Stewart **Mixing Engineers** Andrew Wuepper, Ariel Chobaz **Phonographic Copyright ℗** Def Jam Recordings **Publisher** Amaya Sofia Publishing, Bei Maejor Music, BMG, BMG Bumblebee, Break North Music, FriedChickenOnSunday Music, Heaven’s Research, Kobalt Music, Latino Velvet Music, Maejor Music, Minder Music, OSS Music, Remarkable Music, RZE Music Publishing, Sony Music Entertainment, Universal Music Group, Waynne Writers **Recording Engineers** Andrew Wuepper, Calvin Bailiff, Red Vision US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions. 16 de febrero de 2011 © 2015 Odd Future

00:00 - Wim Hof Interview ("blonded Xmas") 23:58 - "Come On World, You Can't Go!" - Frank Ocean Freestyle 32:37 - Dr. James Fadiman Interview ("blonded Lucy in the Sky with Diamonds") 1:07:37 - Master Mingtong Gu Interview ("blonded ENERGY!") 1:24:16 - Outro Instrumental ("blonded ENERGY!") ###Description: In this special edition of **blonded RADIO**, Frank Ocean presents a captivating holiday episode featuring insightful interviews with Wim Hof, Dr. James Fadiman, and Master Mingtong Gu. Originally aired on December 25, 2021, this episode is part of Frank Ocean's tradition of holiday specials, following similar features in 2018 and 2019. **Highlighted Interviews:** - **Wim Hof**: Known as "The Iceman," Hof discusses his revolutionary method of breathing and cold exposure, which has garnered global attention for its potential to improve mental and physical health. The episode's cover art even features a sprite inspired by Hof. - **Dr. James Fadiman**: A pioneer in psychedelic research, Fadiman delves into the therapeutic potential of psychedelics and their impact on creativity and mental health, sharing insights from his extensive studies. - **Master Mingtong Gu**: A Qi Gong master, Gu explains the energy practices of Qi Gong and their profound ability to heal and revitalize the body and mind. **Music and More**: - Frank Ocean debuts an exclusive freestyle titled "Come On World, You Can’t Go!" a nearly nine-minute piece reflecting on grief and resilience, inspired by his conversation with Wim Hof. This freestyle, recorded in the summer of 2020 and revisited later, closes the episode. - Musical interludes curated by Ocean, Vegyn, Roof Access, and Federico Aliprandi enrich the listening experience, blending seamlessly with the interviews. Frank Ocean, along with his co-hosts Vegyn, Roof Access, and Federico Aliprandi, brings a unique blend of music, skits, and interviews to this Apple Music-exclusive radio show. Blonded RADIO episodes are available for on-demand streaming with an Apple Music subscription, offering listeners a curated experience filled with new singles, thoughtful conversations, and exclusive content. Tune in to blonded RADIO on Apple Music for an episode that promises to be both informative and emotionally resonant, perfect for those seeking inspiration and insight from some of the most unique voices in their fields. ### Album Summary for the Public: In this holiday special of blonded RADIO, Frank Ocean interviews Wim Hof, Dr. James Fadiman, and Master Mingtong Gu. Hof shares his method of breathing and cold resistance; Fadiman explores the benefits of psychedelics; and Gu introduces the healing practices of Qi Gong. The episode closes with an emotional freestyle from Ocean, reflecting on grief and resilience. Blending music and profound conversations, this episode is available exclusively on Apple Music. **Where to Listen:** - **blonded RADIO** is available on Apple Music 1, with episodes and playlists accessible for on-demand streaming to Apple Music subscribers. US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.

[Intro] Mmh, oye Yeh, yeh, yeh Yeh, yeh, yeh Oye, ah (Tu-ru-rú) [Verso 1] Estoy consola mientras fumo hachís (Smoke) Mami, no te vengas sola, tráete un par de hachís (Girls) Mézclate el ron y la cola, vámonos de party (Let's go) No vengas a molestar (Ey, no vengas más) Oye, esa' bitches hablan mal de mí, pero eso es muy fácil (Bitches) Yo de lejos ya lo vi venir, quieren fama gratis (Easy) Loco estoy tan lejos de ti que me pongo happy No vengas a molestar, uoh-oh-oh (IOh, yeah) [Estribillo] De Taiwán, de Taiwán, de Taiwán (De Taiwán) Con los ojos que parezco de Taiwán (Ah-ah-ah) De Taiwán, de Taiwán, de Taiwán (Yes) No vengas a molestar, uoh-oh-oh (Chinito) [Verso 2] Yo no voy en un Ferrari (Fium), voy en autobús (Je) Prefiero gastar en mari lo que gane en el tour (Money) Hola, yo me llamo Dani, ¿cómo te llamas tú? (¿Cómo?) Toma un poco de mi— (Smoke, smoke, jeje) Sé que andas a mis espaldas siempre hablando bullshit No te piques si tu novia me habla rollo groupie (Uh) A mí me suda la polla si tu gorra es Gucci (Da igual) Sé que no es original (Oh, feka), viene [Estribillo] De Taiwán, de Taiwán, de Taiwán (De Taiwán) Esa Gucci te ha llega'o de Taiwán (De Taiwán) De Taiwán, de Taiwán, de Taiwán (Vamo') Sé que no es original, uoh-oh-oh (Ah) [Verso 3] Ellos tirando billetes, yo recogiéndolos (Tú sí) Ellos flipando en su peli, yo estoy haciéndolo (Make me) Sé que les duele, solo pue'o decir: "Lo siento, bro" (Ajá) Les estoy viendo desde lejos maldiciéndonos (Ay-ay) Están copiándome (Woah), quieren ser el nuevo Rels (Rels) Quieren parecerse a mí (Nah), pero no les sale bien (Nah) Mami, no pueden pararme, estoy al 110% (Ouh) Y eso que no tengo squad (Squad) Y eso que no tengo gang (Gang, gang) [Estribillo] De Taiwán, de Taiwán, de Taiwán (De Taiwán) Con los ojos que parezco de Taiwán (Ah-ah-ah) De Taiwán, de Taiwán, de Taiwán (Welcome) No vengas a molestar, uoh-oh-oh (Ay, chinito) De Taiwán, de Taiwán, de Taiwán (De Taiwán) Esa Gucci te ha llega'o de Taiwán (Jejeje) De Taiwán, de Taiwán, de Taiwán (¿Cómo?) Sé que no es original, uoh-oh-oh (Ah) **"Made in Taiwan"** es una canción del rapero español Rels B, lanzada el 13 de julio de 2016. Producida por Itchy & Buco Sounds, el tema remixea "What They Want" de Russ, fusionando hip-hop y trap. La canción explora temas de autenticidad y éxito, (pero fue eliminada del álbum “Boys Don’t Cry”), con una lírica que critica la superficialidad. Este sencillo marcó un hito en la carrera de Rels B, destacándose por su producción refinada y su mensaje contundente, consolidando su reputación en la escena musical. **Made in Taiwan** by Rels B *Credits* **Producer** Itchy & Buco Sounds **Writers** Buco, Itchyfingaz, Rels B **Publisher** Sony/ATV Discos, Sony ATV Music Publishing Holdings (ESP), Lex Luthorz **Co-Producer** Buco, Itchyfingaz **Video Production Company** LeFLMs **Release Date** July 13, 2016 **Remix Of** "What They Want" by Russ **Tags** Rap, Spanish Urban, Spanish Rap, Remix, Trap, España, En Español US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions. 25 de septiembre de 2016 © 2016 ILoveRibs! ℗ 2016 ILoveRibs!

[Verso] Llamas a Kigo, negocias con mi prima Lo firma mi madre, yo solo veo las cifras Parece una peli rodada en Sicilia pero esta es mi vida Todo es un asunto de familia Y no en plan metafórico (No) Los apellidos son iguales, no es un código No hay seguridad, somos mi primo y yo Y él es muy cariñoso, pero yo que tú bajaba el tono (Uh) El vuelo es a París, llegamos pa' comer Treinta personas on stage, en el tour más de cien (Cien) No es atrezo lo que Dichas nos da de beber (No) Negocios y placer, no los distingo biеn Y aun así, estamos millo No te voy a mentir, no ha sido sеncillo Podéis apostar cuántos años más voy a estar Tan relevante y con autoridad para escupir estos raps (Uh) ¿Quizás un par? Que te jodan, voy a estar lo que yo quiera estar, rockstar Haciendo el Matrix mientras os quedáis sin balas No me pueden tocar [Outro] Pew, pew Jajajaja Canción Original de la película “ESTA AMBICIÓN DESMEDIDA” de Little Spain interpretada por el protagonista C. Tangana (prod. Alizzz) Aunque esta canción no haya sido publicada en ninguna plataforma de streaming como formato musical, aparece en el final de la película “Esta ambición desmedida” estrenada el día 26 de octubre de 2023. **Credits** **Producer** Alizzz **Writer** C. Tangana **Release Date** October 29, 2023 **Tags** Rap, Freestyle, Spanish Urban, Spanish Rap, En Español, España US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.

[Intro] Hol' up! (Hol' up!) [Verso 1] Hacía tiempo que no me pasaba (-que no me pasaba; ¿qué tal todo por aquí?) Todos pensando que ya lo dejaba (-que ya lo dejaba; wow) No falta mucho, pero antes dejarme matarla Queda un minuto, descuento Pavos en fila y sube pa' la falta Se acabó todo lo que se daba, no sé si me explico (¡Puchito, Puchito!) Te enjabonas, te cortan el agua, no sé si me explico (¡Puchito, Puchito!) La copa no es para la grada, no sé si me explico Vengo a por el finiquito, trinco la prima y foto de equipo (¡Me piro!) Ya os contaré los motivos, está todo escrito Saludo a mi gente de Vigo, shout-out para Vigo Esta va solo pa' los que han estado de siempre conmigo Aunque ponga' esa cara de bobo en tu foto, lo juro Te quiero como a un hijo [Estribillo] Si vienes a verme en directo (¡Puchito, Puchito!) Si me pillas drogado en el centro (¡Puchito, Puchito!) Si ves que te la estoy haciendo, que vas a acabar consintiendo Mañana cuando te pregunten todas tus amigas: "¡Puchito, Puchito!" [Verso 2] Solo el amor de verdad podría torcer mi destino Te juré que no lo iba a contar, ¡pero no aguanto más sin decirlo! Carlotta Cosials, ¡quiero casarme contigo! Estoy apretando ahí arriba, pa' que te lleves el Grammy Latino (¡Te quiero!) Soy un romántico... el más blando del rollo No vendo mierda; nunca he trincha'o a ese pollo ¡Vas a decir que no escribo mis temas! ¡Voy a pedir treinta mil por mis penas! ¡Voy a copar dos semanas enteras tu Twitter, tu Facebook, tu WhatsApp! ¡Espera, Puchito! (Puchito) [Outro] (Puchito, Puchito, Puchito, Puchito, Puchito) (Puchito, Puchito, Puchito, Puchito, Puchito) (Por chito, por chito, por chito, por chito, por chito) (Por chito, por chito, por chito, por chito, por chito) Remix de "C.H.I.TO." de C. Tangana hecho por Lost Twin; aparece únicamente en la edición vinilo de 10/15 y en los archivos de audio que aparecen por el Bandcamp de Ferlandina. Letra y vocales: C. Tangana Producción original: Banana Bahía Producción del remix: Lost Twin Ingeniero de mezcla: Lost Twin Ingeniero de máster: Lewis Hopkin (en StarDelta Audio Mastering) Ilustración y diseño: Xavi Ceerre **Credits** **Producer** Lost Twin **Writer** C. Tangana **Mastering Engineer** Lewis Hopkin **Mixing Engineer** Lost Twin **Copyright ©** Ferlandina **Phonographic Copyright ℗** Ferlandina **Label** Ferlandina **Release Date** July 1, 2016 **Remix Of** C.H.I.T.O. by C. Tangana **Tags** Rap, Trap, España, Spanish Rap, Spanish Urban, En Español AGZ es pa' siempre; felices 6 años al 10/15. US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions. © 2016 Ferlandina ℗ 2015 Agorazein

C.H.IT.O: 00:00 NADA: 02:35 BOLSAS: 05:31 DRAMA: 09:15 BACK TO BARS: 13:26 **10/15** marca el regreso de C. Tangana a la música tras su retiro después del sencillo "Alligators" lanzado el 28 de marzo de 2014. Inicialmente, Tangana planeaba alejarse de la música para trabajar en un empleo convencional, pero se dio cuenta de que su verdadera pasión era la música. Este mixtape representa su decisión de dedicarse por completo a su carrera artística. La mixtape se lanzó progresivamente en octubre de 2015, con sencillos como "C.H.I.T.O." el 30 de septiembre, "Nada" el 5 de octubre, "Bolsas" el 15 de octubre, y dos más el 28 de octubre. Incluye estilos como rap, trap y R&B, con la colaboración de Royce Rolo, Danni Ble y Elecesar del colectivo Banana Bahía Music. 10/15 generó polémica porque las bases de las canciones eran remakes de canciones de Drake hechos a partir de samples. A través de esta mixtape, C. Tangana se declaró a la cantante Carlotta Cosials, respondió a conflictos con Negas, y recordó su pasado en la escena rap underground de España como Crema. Con 10/15, C. Tangana ha vuelto a captar la atención del panorama musical español, marcando el inicio de su transformación de artista a tiempo completo. **Credits** **Mastering Engineer** Lewis Hopkin **Mixing Engineer** Lost Twin **Label** Agorazein & Ferlandina **Producers** Royce Rolo, Danni Ble, Elecesar, Banana Bahía Music, Lost Twin **Writers** C. Tangana & Neenyo **Additional Vocals** Roy Woods **Copyright ©** Ferlandina **Phonographic Copyright ℗** Ferlandina US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.

00:00 Trouble feat. Alizzz 03:30 Presidente 06:28 Presidente bRUNA Remix EP de C. Tangana lanzado en marzo de 2014. Contiene el tema Trouble (A1), en el que colabora Alizzz y el tema Presidente (B1) y su remix, por bRUNA (B2) **Trouble + Presidente — Single** es un EP de C. Tangana lanzado el 20 de marzo de 2014. Incluye tres pistas: 1. **Trouble (Ft. Alizzz)**: Una colaboración con el productor Alizzz, caracterizada por ritmos electrónicos innovadores. 2. **Presidente**: Un tema donde C. Tangana aborda temas de poder y liderazgo. 3. **Presidente (bRUNA Remix)**: Una reinterpretación de la canción original por el productor bRUNA. El EP, producido por Alizzz y bRUNA, y con coros de Sticky M.A., destaca por su mezcla de sonidos electrónicos y beats contundentes, consolidando a C. Tangana como un artista versátil en la escena musical española. **Credits** **Artwork** Jorge Primo **Label** Agorazein **Featuring** Alizzz **Producers** Agorazein, Alizzz, bRUNA **Writers** C. Tangana **Background Vocals** Sticky M.A. US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.

00:00 Introducción 1:51 She said 5:10 WRLD 7:33 0.G. (Orginal Game) 10:31 Just wanna' 13:59 Bésame mucho 17:32 Buenos tiempos (Judas) 19:17 V 21:57 Quiero (con Manto) 25:43 WAR 28:08 Seco 30:51 Fechas 34:35 I'll be moving music 37:45 Epílogo **LO▼E’S** es el álbum que marcó el retorno de C. Tangana en 2012, tras su etapa como Crema. A pesar de la crítica de algunos fanáticos por alejarse del rap underground, Tangana continuó creando música y experimentando con nuevos estilos. El álbum, lanzado el 15 de diciembre de 2012, explora la relación entre amor y dinero, mezclando soul, pop y rap. Colaboraciones con Sticky M.A., Fabianni y Razz Lacalle enriquecen el proyecto, que fue bien recibido por la crítica, destacando en varias listas de mejores álbumes nacionales de 2012. Aunque fue retirado de plataformas digitales en 2017, Tangana ha insinuado que podría volver a lanzarlo en el futuro. **Credits** **Graphic Design** Jorge Primo **Art Direction** Jorge Primo **Photography** Inés Blanco Andrino **Label** Agorazein **Executive Producers** C. Tangana & Fabianni **Featuring** Jerv.AGZ & Sticky M.A. **Producers** C. Tangana, Fabianni, I-Ace, Jay Smooth, Sojo **Writers** C. Tangana, Jerv.AGZ, Sticky M.A. **Additional Vocals** Aarón Baliti, Bob Dylan, Gladys Knight, Kaixo, Pilar Alfaro, Razz Lacalle **Background Vocals** Razz Lacalle **Co-Producers** C. Tangana & Fabianni **Mastering Engineer** Fabianni **Mixing Engineer** Fabianni **Recording Engineer** Fabianni **Video Camera Operator** 128 Films **Video Director** 128 Films **Video Lighting Technician** Pablo Alvarez US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.

00:00 Hoy 03:20 Wings 06:59 Champan 08:17 Sundays 11:46 Diez años 15:47 Espalda con espalda (con Manto y Jerv) 19:22 Patéalo 22:18 Cakes 26:02 Pibe en la esquina 28:49 En el cien **Agorazein presenta a: C. Tangana** es el álbum lanzado el 22 de junio de 2011 que marcó una etapa clave en la carrera de C. Tangana, presentándolo bajo el colectivo Agorazein. El álbum incluye colaboraciones con Jerv.AGZ, Sticky M.A. y Baboon Studios, mostrando una mezcla de estilos y temáticas. El álbum contiene 10 temas, entre ellos "Hoy", "Wings", "Champan", "Sundays" y "Diez Años", donde Tangana explora el rap con su distintivo estilo lírico. La canción "Espalda con Espalda" destaca por la colaboración con Jerv.AGZ y Sticky M.A., aportando una fuerza especial al proyecto. Producido y mezclado principalmente por Fabianni, el álbum tiene un sonido cohesivo que refleja la visión artística de Tangana y su entorno creativo en Agorazein. Esta producción ayudó a cimentar la reputación de C. Tangana en la escena musical española, siendo un punto de inflexión en su evolución como artista. **Agorazein presenta a: C. Tangana** no solo introdujo a muchos al talento de Tangana, sino que también estableció una base sólida para sus futuros proyectos, combinando letras introspectivas con una producción cuidada que resonó con su audiencia y lo posicionó como una figura prominente en el panorama musical. Con samples provenientes de canciones de gente bastante importante en el hip hop como 2Pac y Nas, C. Tangana nos da la bienvenida a su nuevo álbum Agorazein presenta a: C. Tangana, el cual viene acompañado de un cambio de nombre artístico. En “Hoy” C. Tangana echa la vista atrás recordando su pasado en la música; habla sobre sus objetivos con la música, el primer tema que grabó y sus nuevas responsabilidades como adulto, así como también agradece a toda aquella gente que estuvo involucrada en sus inicios como artista. **Credits** **Featuring** Baboon Studios, Jerv.AGZ, Sticky M.A. **Producers** Agorazein, Baboon Studios, C. Tangana, Sojo **Writers** C. Tangana, Jerv.AGZ, Sticky M.A. **Additional Vocals** Razz Lacalle **Label** Agorazein **Mastering Engineer** Fabianni **Mixing Engineer** Fabianni **Recording Engineer** Fabianni **Scratches** Fabianni **Video Director** 128 Films US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.

[Intro] Niña, ¿donde estás? Te estoy llamando, coño, coge el puto teléfono... ¿Estás con otro o qué? Eh [Verso 1] Baby mírame así, de esa manera Tú eras la única capaz de romper mi cadena Creía que tenía alas, juventud eterna Me tenías to'l día high como fuma’o de yerba Llegaron esos troubles y se fue to' a la mierda Hasta amenacé con publicar tus nudes ¿Te acuerdas? Tu madre ni me hablaba, tu padre con el arma cerca To la noche esperando planta'o en la puerta Llevo al diablo por dentro, yo ya te lo avisé No estoy hecho pa’ eso de que algo me salga bien Y mírame, empecé a entenderte justo cuando te perdí Y ya sé que no vas a volver, fuck, c'est la vie Pero pienso en ti, siempre que me drogo Siempre que bebo y vuelvo solo A las seis de la mañana con cara de loco y odiándoos a todos Pensando en lo que fuimos y ya no somos [Puente] Baby mírame así, de esa manera Como después de follar en la encimera Mírame así loca, como tu lo hacías To este tiempo creyendo que tu eras mía Baby mírame así, de esa manera Tu eras la única capaz de romper mi cadena Baby mírame así, como tu sabes… [Verso 2] Otra vez me sorprendí a mi mismo mirando al horizonte Otra vez mirando a algo, a no sé donde Otra vez se me enfrío el café recordando tu nombre Y momentos de aquel entonces ¿Te acuerdas aquella vez? Que te dejaste los guantes Y volviste sola, bajo la lluvia, muerta de hambre Inundamos la casa pero eso no era importante Sequé cada rincón de ti como el que pule un diamante Y te quedaste la tarde, y te quedaste a cenar Y te quedaste a dormir, también a desayunar Y te quedaste a comer, y te quedaste la tarde Y a cenar, y a dormir, sumidos en un bucle, siempre así Yo te ponía mis películas favoritas Tu me recomendabas libros, resaltabas citas La que mas me exigía y la que menos necesita Porque me querías ver brillar, que yo lo sé, bonita Si el tiempo pone en el lugar, que sea a tu verita' Ciego de química te llamo y… me evitas Porque siempre andamos en guerra como en el Guernica Pero mami no puedo con esas miraditas [Puente] Baby míráme así, de esa manera Como después de follar en la encimara Mírame así loca, como tu lo hacías To este tiempo creyendo que tu eras mía Baby mírame así, de esa manera Tu eras la única capaz de romper mi cadena Baby mírame así, como tu sabes… [Coro] Porque todo el día te tengo en mi mind Yo pensaba que eras mía pero ahora estoy crying Y ando loco, baby me has deja'o loco Porque todo el día te tengo en mi mind Yo pensaba que eras mía pero ahora estoy crying Y ando loco, baby me has deja'o loco Porque todo el día te tengo en mi mind Yo pensaba que eras mía pero ahora estoy crying Y ando loco, baby me has deja'o loco Porque todo el día te tengo en mi mind Yo pensaba que eras mía pero ahora estoy crying Y ando loco, baby me has deja'o loco **Credits** **Writer** Delaossa **Phonographic Copyright ℗** Delaossa **Copyright ©** Delaossa **Release Date** February 6, 2019 **Tags** Rap, Spanish Urban, Spanish Rap, España, En Español US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.

[Intro] Yeah, 1-2 1-2 Ah, suena bien el aparato Hace buen clima por la capital [Verso 1] El techo dando vueltas, mi vida en bucle La muerte mascando chicle, a ver qué surge Deja que le de otro viento Yo, deja que le de otro buche Deja que saque mis colores del estuche Deja de sacarte los mocos cuando me escuches Paquito está en todos lados y va a por tus chuches Verás su firma en tu espejo cuando te duches Baho, wow, escribo las letras tumbado Quizás por eso es que me salen de lado Traigo más fresco el helado y tranquilito, chill out ¡Au! Pellízcame si esto es un sueño, o chao Hoy quiero hacerlo lento, a doble tempo mi temperamento No te pido perdón pero lo siento No te hagas de rogar, no tengo tiempo (Hey) Soy un locoplaya mama sólo es eso En los huesos, tú sólo mueve el esqueleto Sigo mirando como al humo se lo lleva el viento Sigo mirando como algunos no se mueven y se quedan quietos ¿Qué coño es esto? De chico apuntaba maneras y ahora tienen miedo A que dispare, a que reviente los cristales Y sus modales, ya les vale Menos amenes y ámense más, los demás que se la mamen Déjame tranquilo estoy cenando ramen Te aviso cuando acabe, ya tu sabes No me hagas trampas barájalo suave En mi pueblo bajo los felpudos se esconden las llaves [Estribillo] Te doy 8 Misisipis pa que te vayas de aquí 1 Misisipi, 2 Misisipi El techo dando vueltas pero yo estoy bien así 3 Misisipi, 4 Misisipi Fresco por la calle voy oliendo a Mimosín 5 Misisipi, 6 Misisipi Hoy hace buen clima mueve el ano del cojín 7 Misisipi, 8 Misisipi [Verso 2] ¿Qué está pasando? Yo estoy aquí con mis sonatas ¿Por qué no vienes y lo catas? Déjate llevar por tus alpargatas, mueve la pata No vaya ser que te vayas p'al otro barrio sin salir del barrio Fluyo, como con tres en uno En bisagras oxidadas de lugares húmedos Yo soy el musgo con el que resbalas, puto Buscando en mis principios, de vuelta al útero Con paciencia por la fuerza ma', malas maneras Me lo fumo hasta las letras Cada vez más lejos lo que escondo detrás Mis siluetas, ya no me fijo en lo de fuera Ya van tres años sin hacer la cama Perdón mama, lo que pude hacer hoy lo deje pa' mañana Desgana, yéndome por las ramas Haciéndome un caseto con un par de tablas Ay, a mi ritmo, tranquilito La suerte está echada, y yo tumbado con un litro Yo cuido dónde meto mi hocico, chico Tú ten cuidado con lo que te metes por tu hocico Yo si hace falta me agacho y ato mis reeboks In situ, cojo aire y voy a por el brissus Escribo a la sombra de un ficus Mi voz en todos los barrios, como un colega que se llame El Pitu [Estribillo] Te doy 8 misisipis pa que te vayas de aquí 1 Misisipi, 2 Misisipi El techo dando vueltas pero yo estoy bien así 3 Misisipi, 4 Misisipi Fresco por la calle voy oliendo a mimosín 5 Misisipi, 6 Misisipi Hoy hace buen clima mueve el ano del cojín 7 Misisipi, 8 Misisipi **Credits** **Producer** Tom Misch **Writer** Bejo **Video Camera Crew** Jaime Díaz, Jorge Preciado, Álvar Alonso **Video Editor** Cachi Richi **Release Date** December 1, 2015 **8 Misisipi Samples** "Take Me Back" by Tom Misch **Tags** Rap, Abstract Rap, Jazz Rap, Boom Bap, Underground Rap, Spanish Urban, España, Hip-Hop, Spanish Rap, En Español US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.