Should filmmakers hire an entertainment lawyer to review a distribution or sales agent agreement? In this episode, Tom explains when legal review helps, when it hurts, and how over-redlining contracts can kill a film deal. Learn a smarter way to work with attorneys, agree on key bullet points, and protect your movie without blowing up the deal.
YouTube and AVOD platforms like Tubi are changing how independent filmmakers make money. In this episode, filmmaker Tom Malloy explains why strong openings, smart pacing, and understanding ad-based audiences are now essential—and how filmmakers can reverse-engineer successful YouTube movies to build a sustainable filmmaking career.
In this episode, I share a true story about losing my iPad—and how what felt like a major setback turned into an unexpected win. We talk about emotional detachment, persistence, and why you should never assume something falling apart is the end of the story. A mindset lesson for filmmakers, creatives, and anyone dealing with uncertainty.
Learn the most important steps to prepare your film for international sales — and the number one deliverable that allows your movie to be dubbed into any language. In this episode, we talk M&E tracks, correct delivery formats, subtitles, dialog lists, and why most buyers still prefer 1080p ProRes. Make your film ready for the global marketplace!
Turning a festival-winning short film into a feature deal is absolutely doable—if you know how to position it. In this episode, we break down why awards matter, how to build a logical progression from short to feature, and the must-have materials that show you’re ready for the next step. Learn how to transform hype into financing and make your feature film a reality.
In this episode, we walk through the exact pitch email you should send when approaching a film distributor or sales agent. You’ll learn how to target the right acquisitions executive, why your trailer needs to be a tight, professional cut, how to use artwork to grab attention, and the smart way to offer a screener without giving your film away. If you want a real shot at getting your completed movie picked up, this is the pitch format that works.
In this episode, we break down what a real film package is—and why most filmmakers misunderstand it. You’ll learn which elements actually give your project value, how producers, directors, cast, and financing fit into the packaging process, and why strong attachments are essential for getting bigger movies made today. If you’re trying to move a film forward, this is a must-listen.
Before you sign that distribution deal, hit play. In this episode, I break down the three red flags that can wreck your film’s future — unfair splits, crazy-long contract terms, and inflated marketing expenses. Learn how to spot them early, protect your movie, and secure a deal that actually makes sense in today’s marketplace.
In this episode, we break down three essential mindset shifts every filmmaker needs before raising money for a movie: getting the right budget, building a valuable project, and developing market awareness. These aren’t just theories — they’re the difference between chasing investors and actually attracting them. Listen now to learn how to rewire your mindset and make financing your next film feel possible.
In this episode, we break down what happens after a sales agent signs your independent film. From preparing artwork and trailers to pitching buyers at major film markets like AFM and EFM, you’ll learn how deals are initiated and why the screener is the key to closing. Plus, we talk about how older films transition into library titles over time. If you’re a filmmaker navigating the distribution world, this episode is a must-listen.
In today’s episode, we break down exactly what sales agents look for in a finished film at markets like the American Film Market. From professional artwork and strong trailers to realistic expectations, you’ll learn how to stand out — and avoid the common mistakes that turn buyers off instantly. If you’re planning to pitch a film this year, don’t miss this insider advice!
In this episode, we dive into the pros and cons of using a film aggregator versus signing with a distributor. You’ll learn why aggregators can flood platforms with content, how distributors actively champion your film, and when it does make sense to self-upload. Perfect for indie filmmakers deciding how to release their next movie.
In this episode, we break down what a completion bond is, what it guarantees, and whether indie filmmakers actually need one. Learn how to protect your investors, avoid wasting budget, and keep more money on screen. 🎧 Perfect for producers and investors who want to understand the business side of filmmaking — without the fluff.
When it comes to exporting your film, not all codecs are created equal. In this episode, I break down the difference between H.264 and ProRes 422 (and 4444)—which one to use for online, and which one distributors actually need. Learn about bitrates, file sizes, and color depth in simple terms that every filmmaker can understand.
Think you can be both Executive Producer and Producer on the same film? Think again. In this episode, Tom Malloy breaks down how the producer credit hierarchy really works — from “Produced by” to “Associate Producer” — and explains why doubling up credits is a rookie mistake. Perfect for filmmakers, investors, and anyone navigating film finance and production credits.
Most filmmakers assume film festivals are where the deals happen — but the truth is, only a select few festivals actually help you sell your movie. In this episode, I break down the handful of A+ festivals that carry real industry weight, how genre festivals fit into the mix, and why film markets are still where the real money is made. Perfect for any indie filmmaker navigating the festival circuit.
Every filmmaker thinks they’re great in meetings—until they lose a buyer’s attention. In this episode, I break down the #1 mistake indie filmmakers make in pitch and sales meetings: talking too long. Learn how to nail a two-minute pitch, make your presentation efficient, and leave with real next steps. Perfect for anyone getting ready for AFM, Cannes, or their next distributor meeting.
In this episode, I break down the real film deliverables distributors and sales agents expect. Forget the outdated “wish list” and focus on the essentials: ProRes 422 masters, DME tracks, captions, stills, and trailers. If you’ve got a distribution deal or you’re aiming for one, this is the episode that will save you time, money, and stress.
Do filmmakers still need a Producer’s Rep? We break down the history of producers reps, why they mattered in the 90s, and how direct access to acquisitions execs at markets like AFM, EFM, and Cannes has changed the game. Learn when a rep might still make sense—and when you’re better off handling distribution yourself.
Should you work for free as a PA? In this episode, I share why early set experience can be more valuable than the paycheck, how to approach those first jobs strategically, and when to start demanding proper pay. Perfect for anyone trying to break into the film industry.