When Hiring an Entertainment Lawyer Helps—or Hurts—Your Film Deal

How Indie Filmmakers Make Money on YouTube and AVOD

When Things Fall Apart: A Story About Setbacks, Perspective, and Persistence

Your M&E Track: The Key to Foreign Distribution

Turning Your Short Film Into a Feature Film Deal

How to Pitch Your Film to a Distributor the Right Way

The Essential Elements of a Strong Film Package

Distribution Contract Red Flags Every Filmmaker Should Know

3 Mental Shifts That Attract Film Financing

After the Deal: What Sales Agents Do with Your Film

Inside AFM: What Sales Agents Look For

Film Aggregator vs Distributor: Which One Actually Works?

Completion Bonds Explained: What Filmmakers Need to Know

H.264 vs ProRes 422 — What Filmmakers Need to Know

Producer Credit Hierarchy Explained

Which Film Festivals Actually Help You Sell Your Movie

The Biggest Pitch Meeting Mistake Filmmakers Keep Making

Deliverables Demystified: How to Prep Your Film for Distribution

The Producer’s Rep Debate: Then vs. Now in Indie Film

Film Set Secrets: When Working for Free Makes Sense