Distribution Contract Red Flags Every Filmmaker Should Know

3 Mental Shifts That Attract Film Financing

After the Deal: What Sales Agents Do with Your Film

Inside AFM: What Sales Agents Look For

Film Aggregator vs Distributor: Which One Actually Works?

Completion Bonds Explained: What Filmmakers Need to Know

H.264 vs ProRes 422 — What Filmmakers Need to Know

Producer Credit Hierarchy Explained

Which Film Festivals Actually Help You Sell Your Movie

The Biggest Pitch Meeting Mistake Filmmakers Keep Making

Deliverables Demystified: How to Prep Your Film for Distribution

The Producer’s Rep Debate: Then vs. Now in Indie Film

Film Set Secrets: When Working for Free Makes Sense

Minimum Guarantees in Film: Advance or Illusion?

The Truth About Streaming Platforms for Indie Films

Sales Agents Explained: How Movies Actually Get Sold at Film Markets

TVOD, SVOD, AVOD: The Filmmaker’s Crash Course on VOD Windows

Film Market Networking Secrets: Tips for Cannes, EFM & AFM

Why Most Indie Films Don’t Make Money (And How Yours Can)

Pitch Deck Pitfalls: 3 Mistakes That Kill Film Investor Interest