Artist Claire Tabouret studied at the École des Beaux-Arts, Paris. Motivated by a sensitivity to the passing of time and the floodgates of vulnerability opened by human relationships, Tabouret's painting practice is paced between periods of productive urgency and quiet reflection, and animated by layers, fabrics, and full, loose brushstrokes. Her hydrous palette is suspended somewhere in the ether between the synthetic hues of makeup and subdued tones of the earth, simultaneously referencing the natural and artificial ingredients of representation. Tableaux depicting bodies in confrontation, portraits, paintings of assemblies of people from young debutants to migrants at sea, and landscapes are often washed in color fields, alternately evoking ine possibility of anywhere and site specificity.
She and Zuckerman discuss her studio practice and a typical day, where her ideas come from, living in California, comfort and risk, ‘fluff,’ motherhood, music, what art has to teach us, and her selection to design new, contemporary stained-glass windows for the newly renovated Notre Dame Cathedral.