Los Angeles based, Australian artist Ricky Swallow uses ordinary materials to create precisely rendered objects that he then casts in bronze. The unique works that result are expressions not only of the objects’ constructed forms, but also of the process of transformation by which an inert grouping of things becomes a sculpture. Swallow is invested in equal measure in the making of things and the testing of concepts; in hands-on work with cardboard, tape, wood, and rope and the mediated potentials of the foundry; in the immediacy of craft and the austere elegance of geometric abstraction. He elicits a questioning state of mind by establishing geometries and juxtapositions that just manage to exceed what the eye perceives as possible. Like mysterious, hieroglyphic numbers or letters translated into three dimensions, his works are as indelible as they are evocative.
He and Zuckerman discuss how we see our own work, working against the logic of an object or image, when people remember your work, doing less, the availability of abstraction, meaning, conducting yourself with authenticity, sculptors as underdogs, being married to an artist, what makes him happy, space and order, meditation, the radical idea of doing nothing, figuring things out himself, a time-tested belief system, leaving your mark, not destroying anything, self-guided work, collecting, what is parallel to making!