169: How to Write Children’s Books and Work with an Illustrator with AJ Cosmo

169: How to Write Children’s Books and Work with an Illustrator with AJ Cosmo

Update: 2017-12-291
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how to write a children's book


AJ Cosmo is the bestselling author of The Monster that Ate My Socks and more than 20 other fun children’s picture books. His stories are crafted to help parents teach children lessons in a fun and engaging way.


Six years ago, AJ was at his day job searching for ways to make money online. One of the ideas in a writer’s forum was to write books and put them up on Kindle because, as the poster said, “Kindle is a gold mine!”


The group of writers AJ eventually joined were publishing two types of content: adult fiction, and children’s books.


Some years ago, AJ moved out to Hollywood to try his hand at being a screenwriter. The first books he tried to publish and sell on Amazon were adapted from screenplays. When he got the suggestion to try publishing children’s books, it interested him because it was something he felt he had a talent for, because he’s able to draw and be a little goofy.


AJ wasn’t interested in writing adult content.


When AJ wrote his first children’s book, he didn’t know anything about the different grade levels or reader expectations. He just wanted to tell a funny story and do some illustrations. It took three or four books before AJ saw any kind of return on investment with his writing.


His fourth book was The Monster that Ate My Socks. That book took off and allowed AJ to make a career from publishing children’s books on Kindle.


It took off on its own, and ever since then AJ has been trying to reverse-engineer its success.


Six years later, AJ has published more than 40 books. And he’s doing this full time to earn a living.


The Success of The Monster that Ate My Socks


AJ still doesn’t understand exactly why The Monster that Ate My Socks became such a huge success.


One thing that contributed to its success, as far as AJ can tell, is that it’s short. The book is about 3,000 words, and 20 pages in print.


The book has six illustrations. There isn’t a magic number when it comes to the number of illustrations in a children’s picture book—you use the number you need to get the story across.


In fact, the book actually goes against the traditional wisdom regarding the number of images you need in a children’s picture book.


The Monster that Ate My Socks is technically a chapter book, but it’s much lengthier than a typical chapter book for very young children…and yet the language is much simpler than books published for middle-grade readers.


The book carved out its own little niche in the children’s book world. If AJ had known the rules of writing children’s books, he never would have written The Monster that Ate My Socks.


Parents have told AJ that besides being entertaining and funny, the book actually solved the monster problem for them with their kids. It humanized monsters, and allowed children to relate to them so they were no longer afraid of turning off the bedroom light and going to sleep.


how to sell children's books


Marketing Considerations for Children’s Books


“Children’s books [like nonfiction books] can have meaning and purpose beyond just entertainment.”

– AJ Cosmo


“When you’re selling children’s books, you’re not actually selling to children—you’re selling to the avatars of children: their parents or their teachers. You have to communicate something to the parents, that your book is beyond mindless entertainment.” – AJ Cosmo


Parents expect a children’s book to be entertaining by default. What they want to know is, beyond entertainment, what can this book do for them or their children?


There are thousands of children’s books published every year. So in order to differentiate your children’s book from other books for children, you have to consider what lesson your book can teach your audience.


You have to walk a fine line. If your lesson is too serious, your target audience will zone out and their parents won’t buy your next book. But if it’s got too little lesson in it, the parents won’t think it’s valuable enough to buy your next book, either.


The lesson your book teaches is a marketing point. It’s something you have to consider, but always remember the age of the audience you’re aiming your book at.


There’s nothing wrong with creating a book that’s entertaining. There’s nothing wrong with creating a book that specifically designed to make children laugh. AJ is currently working on The Giggle Game, a book designed to do exactly that.


But even The Giggle Game has a point to it. The book is designed as a wind-down game for children before they go to bed. Giving your books a reason to exist beyond entertainment is a major selling point in the children’s book marketplace.


What’s Your Book’s Purpose?


This lesson can be extended to other genres of fiction. If you’re writing a romance novel, what is the extra that the audience is getting besides the romance? Are you showing them an exotic location? Are you showing them a situation they’ve never seen before?


“What are all the aspects you can have to sell your book? How can you communicate that?”

– AJ Cosmo


How to Test a Children’s Book in the Market


Testing ideas in the marketplace is smart, because it helps you see if your book has the potential to sell well.


So how do you test a children’s book?



  • You ask other parents.

  • You get your book in front of children and get their reaction.


If you want to be a children’s book author, it’s very important to actually read the books to children and gauge their reaction.


Kids are the best critics in the world because they’re honest. If your book isn’t holding their attention, they will wander off and go find something to play with.


Meanwhile, you want parents to like reading your book as much as children like it. AJ has heard of several books that parents hide from their children because they’re tired of reading the book to them so often.


Children are learning pattern recognition. Their learning to predict things that will happen. That’s why they want books read to them multiple times.



  • Ask other writers of children’s books. A lot of people think writing a children’s book is an easy thing to do.


It’s really not. AJ has revised some of his children’s books more than he’s revised his novels.


Don’t assume writing a children’s book is going to be easy.


How to Do Illustrations for Your Children’s Book


Illustration can make or break a book. You need to make sure your illustrations are of good quality.


“Your illustration needs to be up to par based on the expectation of what a good illustration for children’s book is. That is a huge range.”

– AJ Cosmo


When you go to illustrate a book, figure out what your budget is to hire an artist, then see how many books you would have to sell in order to recoup that cost. It’s a simple business calculation, and you have to factor it in if you want to make writing children’s books a business.


It’s important to live up to the expectations that the audience has.


Tips for Collaborating with Your Illustrator



  • It’s important to understand what you have, and what you want from the end product.

  • Do you have comparable books? This is something every author should be checking out no matter what type of book they’re writing. Find books like yours and analyze them to see what elements you can incorporate into your books.

  • Once you find comparable books, give those books to the artist so they have an idea of what type of illustrations you want.

  • Give hard deadlines to your artist.

  • Try not to micromanage your artist. Micromanaging will drive everyone crazy.

  • Break up your payments to be delivered over the life of the project.

  • Check on your artist. But give them enough freedom that they enjoy the process of helping you create your book.

  • By giving the illustrator artistic freedom within guidelines, you’re going to get the best product possible, and possibly far below market rate.


How Do You Publish a Children’s Book?


Formatting is one of the biggest challenges when it comes to publishing children’s books, because you’re publishing to a split audience.


Some people have original black-and-white Kindles, or the Kindle Oasis. Those devices don’t support rich formatting. They only support basic pages that allow for static images with text.


Kindle Fire models, as well as the Kindle apps for iPads and smartphones, allow you to do much more dynamic formatting.


On top of that, the aspect ratio for a children’s ebook is different than a print book. So you have to take that into consideration.


You sometimes have to make multiple versions of the same imag

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169: How to Write Children’s Books and Work with an Illustrator with AJ Cosmo

169: How to Write Children’s Books and Work with an Illustrator with AJ Cosmo

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