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#17 - Filmmaker Above Suspicion: Sex, Death, and Politics in the Cinema of Elio Petri, Part 1

#17 - Filmmaker Above Suspicion: Sex, Death, and Politics in the Cinema of Elio Petri, Part 1

Update: 2016-11-20

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In episode 17, Kat and Samm kick off an ongoing retrospective of Italian director Elio Petri, which will cover all the feature length films of his career. Known for his leftist politics, uniquely stylized films, and bold interpretations of genre, there’s no one quite like Petri and it’s a mystery why he’s so neglected compared to contemporaries like Antonioni, Pasolini, and Bertolucci. This first episode is an in depth discussion of some of his least seen films, three black and white titles he made in the early ‘60s at the beginning of his career: L’assassino (The Assassin, 1961), I giorni contati (His Days are Numbered, 1962), and Il maestro di Vigevano (The Teacher from Vigevano, 1963).

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#17 - Filmmaker Above Suspicion: Sex, Death, and Politics in the Cinema of Elio Petri, Part 1

#17 - Filmmaker Above Suspicion: Sex, Death, and Politics in the Cinema of Elio Petri, Part 1

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