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#18 - Filmmaker Above Suspicion: Sex, Death, and Politics in the Cinema of Elio Petri, Part 2

#18 - Filmmaker Above Suspicion: Sex, Death, and Politics in the Cinema of Elio Petri, Part 2

Update: 2016-12-11

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In episode 18, Kat and Samm continue their retrospective of Italian director Elio Petri with a look at his first three color films: La decima vittima (The 10th Victim, 1965), A ciascuno il suo (We Still Kill the Old Way, 1967), and a film discussed during one of their earlier art giallo episodes, Un tranquillo posto di campagna (A Quiet Place in the Country, 1969). One of Petri’s most beloved and uniquely stylized films, The 10th Victim is a futuristic, sci-fi tale about an advanced society that redirects violence into a spectacle known as the Big Hunt, where contestants turn state sponsored murder into popular entertainment.

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#18 - Filmmaker Above Suspicion: Sex, Death, and Politics in the Cinema of Elio Petri, Part 2

#18 - Filmmaker Above Suspicion: Sex, Death, and Politics in the Cinema of Elio Petri, Part 2

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