The debates over school curricula, banned books, and what educators can teach in their classes have become increasingly polarizing in recent years, but they are nothing new in the US. For those who researched, wrote and taught about the Soviet Union under Stalin during the Cold War, following the evidence to a conclusion that challenged America’s established narrative could lead to denunciations and accusations of disloyalty. Despite this challenge, a generation of scholars dedicated their professional life to the study of Soviet history, generating far more in-depth and humane accounts of the past than the black and white narratives offered up by most political scientists and others who presented Soviet society as atomized and powerless.

As one of the most prolific Russian historians of his generation, Lewis Siegelbaum knows this story well. In this episode, he joins us to discuss his new book, Reflections on Stalinism, in which he, co-editor Arch Getty and ten of their peers share their own reflections on how they came to study Soviet history, how the political environment affected their own work, and what they got right (and wrong) in their career. Lewis also shares his story of witnessing the unexpected collapse of the USSR, what we learned when Soviet archives opened in the 1990s, and how current events remain haunted by the simplistic view of Russian history to which many Americans still adhere.

Dr. Lewis Siegelbaum is Jack and Margaret Sweet Professor Emeritus of History at Michigan State University where he taught from 1983 until 2018. He has authored multiple award-winning books on Soviet history, including Cars for Comrades: The Life of the Soviet Automobile, and served as doctoral advisor to many aspiring scholars, including Ben Sawyer.

If you’re interested in learning more about Soviet history, we recommend that you check out the website Seventeen Moments in Soviet History, which Lewis cofounded and is the most widely-used online source for teaching and learning about Soviet history.   

This episode was edited by Gary Fletcher.