GATEWAY CINEMA, a conversation – Episode 14A: Sound: Alternatives to “Portrait of a Lady on Fire”

GATEWAY CINEMA, a conversation – Episode 14: Sound: “Portrait of a Lady on Fire”

GATEWAY CINEMA, a conversation – Episode 13A: Editing: Alternatives to “Crank” and “Crank 2: High Voltage”

GATEWAY CINEMA, a conversation – Episode 13: Editing: “Crank” and “Crank 2: High Voltage”

GATEWAY CINEMA, a conversation – Episode 12A: EXTRA CREDIT: Alternatives to “The Night of the Hunter”

GATEWAY CINEMA, a conversation – Episode 12: Image Making: “The Night of the Hunter”

GATEWAY CINEMA, a conversation – Episode 11A: EXTRA CREDIT: Alternatives to “Marie Antoinette”

GATEWAY CINEMA, a conversation – Episode 11: Design: “Marie Antoinette”

GATEWAY CINEMA, a conversation – Episode 10A: EXTRA CREDIT: Alternatives to “Friday”

GATEWAY CINEMA, a conversation – Episode 10: EXTRA CREDIT: “Friday”

GATEWAY CINEMA, a conversation – Episode 9A: Performance: Alternatives to “Bring Me the Head of Alfredo Garcia”

GATEWAY CINEMA, a conversation – Episode 9: Performance: “Bring Me the Head of Alfredo Garcia”

GATEWAY CINEMA, a conversation – Episode 8A: Performance: Alternatives to “Amadeus (Director’s Cut)”

GATEWAY CINEMA, a conversation – Episode 8: Performance: “Amadeus (Director’s Cut)”

GATEWAY CINEMA, a conversation – Episode 7A: Non-Classical Style: Alternatives to “The Swimmer”

GATEWAY CINEMA, a conversation – Episode 7: Non-Classical Style: “The Swimmer”

GATEWAY CINEMA, a conversation – Episode 6A: Classical Style: Alternatives to “Sweet Smell of Success”

GATEWAY CINEMA, a conversation – Episode 6: Classical Style: “Sweet Smell of Success”

GATEWAY CINEMA, a conversation – Episode 5A: Audiences, Part 1: Alternatives to “Perfect Days”

GATEWAY CINEMA, a conversation – Episode 5: Audiences, Part 1: “Perfect Days”