DiscoverBlockbusters and BirdwalksGATEWAY CINEMA, a conversation – Episode 8A: Performance: Alternatives to “Amadeus (Director’s Cut)”
GATEWAY CINEMA, a conversation – Episode 8A: Performance: Alternatives to “Amadeus (Director’s Cut)”

GATEWAY CINEMA, a conversation – Episode 8A: Performance: Alternatives to “Amadeus (Director’s Cut)”

Update: 2025-08-12
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Description

In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Amadeus (Director’s Cut)”.

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Referenced media in GATEWAY CINEMA, Episode 8A:

  • “Born to Kill” (Robert Wise, 1947)
  • “Dillinger” (Max Nosseck, 1945)
  • “Reservoir Dogs” (Quentin Tarantino, 1992)
  • “The Devil Thumbs a Ride” (Felix E. Feist, 1947)
  • “Withnail and I” (Bruce Robinson, 1987)
  • “Enter the Dragon” (Robert Clouse, 1973)
  • “Whiplash” (Damien Chazelle, 2014)

Audio quotation in GATEWAY CINEMA, Episode 8A:

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GATEWAY CINEMA, a conversation – Episode 8A: Performance: Alternatives to “Amadeus (Director’s Cut)”

GATEWAY CINEMA, a conversation – Episode 8A: Performance: Alternatives to “Amadeus (Director’s Cut)”

Garrett Chaffin-Quiray