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John Greer finds art gives him an invaluable structure in life. Expressing himself in form is more important than a visual language.

Professor of sculpture for 26 years at the Nova Scotia College of Art and Design in Halifax, John was the catalyst for the ‘Halifax Sculpture’ movement in the 1990s which was rooted in minimalism and conceptualism.

Inspiration for his sculpture often comes from Ancient Celtic stones and Greek sculpture and he likes the merging of cultural and natural history.

He discusses a number of projects he has created over the years, and Gail Skoff took photographs of some of his more recent works.

John has created about a dozen pieces on the theme of value, and he tells us why he finds the invention and history of money so fascinating. He speaks about the geology of materials, and how he takes this into account when he chooses what stone to work with.

The Sleeper and The Rose (2021) was inspired by a Greek piece. John discusses how we live in a time where Western culture is trying to come to terms with its history and its colonial past. He feels it is important to let go without forgetting.

John’s series on Sirens was inspired by Greek figures. Sometimes used as a memorial, sometimes to mark an event, and sometimes as a real person. John explains how in the Louvre everything was against the wall because it was considered a humiliation for an aristocrat to walk behind another person, and a sculpture was considered another person.

Born in Canada, John now shares a studio in Pietrasanta with his wife the sculptor Vanessa Paschakarnis, and a lively community of frogs.

Thanks to Gail Skoff for this collaboration and for the fantastic photographs of John.

All photos: Gail Skoff, gailskoff.com – instagram.com/skoffupclose

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