This week, we're heading to Bodega Bay to talk about The Birds (1963) and our sharp-tongued, fur-coat-wearing Final Girl, Melanie Daniels. What begins as a flirty little prank quickly turns Hitchcockian nightmare when birds begin attacking violently, relentlessly, and without explanation. We dig into the gender politics of Melanie’s transformation from socialite to survivor, the icy dynamics between the women in Mitch’s life, and how the film weaponizes nature and femininity in equal measure. Is it horror? Is it camp? Is it a cautionary tale about chasing a man? Either way, Melanie earns her spot in the Final Girl canon.

Spoiler warning: We’re spoiling the plot, the pecking, and the psychological warfare. You've been warned.

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