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Sally Rooney’s Beautiful Deceptions

Sally Rooney’s Beautiful Deceptions

Update: 2024-09-192
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Almost immediately after the publication of Sally Rooney’s “Normal People,” in 2018, Rooney-mania hit a fever pitch. Her work struck a cord among a generation of readers who responded to evocative descriptions of young people’s lives and relationships. Before long, Rooney had—somewhat reluctantly—been dubbed “the first great millennial author.” On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss “Intermezzo,” Rooney’s hotly anticipated fourth novel, which explores the dynamic between two brothers grieving the death of their father. The book is a sadder, more mature read than Rooney’s fans may have come to expect, but it retains her characteristic flair for making consciousness itself into a bingeable experience. “That is the great achievement of the realist novel for me,” Fry says. “The fact that Rooney is making this enjoyable for a new generation—amazing. Maybe it’s a conservative impulse, but there’s something reassuring for me about that.”


Read, watch, and listen with the critics:


Conversations with Friends,” by Sally Rooney
Normal People,” by Sally Rooney
Beautiful World, Where Are You,” by Sally Rooney
Intermezzo,” by Sally Rooney
Those Winter Sundays,” by Robert Hayden
William Shakespeare’s “Hamlet
Normal Novels,” by Becca Rothfeld (The Point)
The Corrections,” by Jonathan Franzen
My Struggle,” by Karl Ove Knausgaard
The Neapolitan novels, by Elena Ferrante
Sally Rooney on the Hell of Fame,” by Emma Brockes (The Guardian)
A Portrait of the Artist as a Young Man,” by James Joyce
The Harry Potter novels, by J. K. Rowling
Why Bother?” by Jonathan Franzen (Harper’s Magazine)
Middlemarch,” by George Eliot
Daniel Deronda,” by George Eliot


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Sally Rooney’s Beautiful Deceptions

Sally Rooney’s Beautiful Deceptions

The New Yorker