Two new releases this week, along with some fun catch-up films.

We’ll start off with the brand-new underground tunnel-chase, “Scurry” and then go out to the retro-desert in “Brute 1976.” We’ll take a walk on the silly side with “Lavalantula” from 2015, and then finish off the George Romero zombie series with the final two of his films: “Diary of the Dead” 2007 and “Survival of the Dead” (2010).

A bunch of winners this week!

* The latest issue of “Horror Monthly,” issue #48, is on sale now! Check out all the back issues, as well as our other books, with one easy link:

https://horrormonthly.com

Mainstream Films:

2025 Scurry

* Directed by: Luke Sparke

* Written by: Tom Evans

* Stars: Jamie Costa, Emalia, Peter O’Hanlon

* Run Time: 1 Hour, 30 Minutes

* Trailer:

Spoiler-Free Judgment Zone

A claustrophobic view of a big disaster event has us following a couple of survivors as they work their way out of an underground obstacle course of collapsed buildings and streets. And is there more going on than just a local earthquake or something? Just how bad could it be? We travel along with them to find out. There are some hints given in the opening seconds.

Spoilery Synopsis

We see some kind of apocalyptic disaster happening from out a skyrise window. There are alarms sounding. People are running and screaming. Then we hear growling noises from down the hall and one running woman dies in a wet splatter against the wall. Maybe we aren’t at the top of the food chain any more. We fly over the city, and there is a big blackened pit that is surrounded by burnt out emergency vehicles, and it pans down to a dead man laying there and no, he’s not dead. He wakes up. He’s trapped under a chunk of rubble. He pulls out his cell but can’t get through to anyone. He finally thinks to use his phone as a flashlight and looks around. He finally gets through to his wife’s voicemail and explains what happened from his point of view. He levers himself free..

Mark hears a chopper flying over, which is hopeful, but then it crashes right next to the hole he’s in. The hole collapses behind him, trapping him in an underground tunnel. He pulls out a piece of glass that impaled him, but he’s not bleeding too badly.

It takes a while for Mark to get his bearings, and he hears rocks falling all over the place. He finds a woman’s purse and digs through it for anything to use. He finds a video camera with an infra-red feature, which is useful.

He gets a jump scare when the woman who owns the purse shows up. She’s Sarah. There’s a rock slide or something, and she soon vanishes. No, she’s hiding, “Shhhh. They’ll hear us.” He sets her dislocated bone, but she says everyone up above is dead, no one is coming for them. She’s very paranoid that he’s going to leave her alone. They talk about their kids, but she seems to know a lot more about what’s going on than he does. She’s not really Sarah; that was a stolen purse. Then she pulls a gun on him. And things get complicated.

As they argue over who gets to hold the lighter, something growls nearby. “They’ve found us.” Mark uses the infra-red camera but doesn’t see what it is. They run for a while but eventually, Mark gets a glimpse of the creature behind them with the camera. She notices that she’s lost her pills and wants to go back, but he says that’s stupid; this leads to her pulling the gun again. He has to go back for her pills and notices that the creature seems to be stuck in place, so he’s OK for now.

Mark wants to know what she knows about the creatures. They killed her sister, dragging her right out of the car. He explains that he was just crossing the street and fell into what he thought was an earthquake sinkhole. “Nothing can survive up there,” she says. He doubts that everyone is dead. They continue to crawl through the tunnel until they see a light; it’s not an exit, it’s just a flashlight someone dropped. They find the flashlight’s owner, dead, and go through his stuff. Turns out, he’s not dead, but when he starts to scream, one of the creatures eats him.

Now Mark believes in monsters. They argue over her hard-as-nail attitude since she still doesn’t trust him. As they argue, one of the spiderlike monsters spears Mark and pulls him away. Is this creature an alien, or was it always down here? We don’t know, but the woman’s story makes it sound like they came from space. She continues on, crawling through the tunnel until she catches up to Mark who is lying there; somehow, he killed it with his knife– he’s got to be some kind of marine or special forces.

Mark then explains his sad life story. He drunkenly started a house fire that nearly killed his son. He left the family after that, and now he feels he still can’t protect them. She gives him advice, and now they’re friends.

After an incredibly long time, they come to a room where they can stand up, and it’s full of bodies. They can hear shooting and bad things happening through the sewer grate above. There are soldiers up there, and they hear the two down below and offer to help. “Don’t worry, everything’s going to be OK,” they say. And then we hear them all die up there; our guys get absolutely drenched in blood.

Mark and the woman are forced to keep on crawling through the tunnels since one of the monsters is trying to get to them through the sewer grate. She finally tells him that her name is Kate. Just to make things worse, they both have to swim through a flooded, dark, murky tunnel.

They finally find a way outside and see the light. Happy Ending (with forty minutes left). As they crawl to the opening, a creature pops up between them and the light at the end of the tunnel. It takes a look at them and then goes back the way it came, where we hear more screaming.

Mark and Kate climb over the open hole, slowly, and try not to wake up the creatures down there. By the time Mark makes it over, Kate has died from her internal injuries. As he climbs over her corpse, we see just how many of the creatures are scurrying around in the tunnels below. Rather than continue to the exit, he goes through her pockets and sets her body on fire… in front of him, blocking the exit. No– he just imagined doing that. Then he lays there within sight of the exit and plays with his phone for a while. I guess her body must be blocking the tunnel, but it doesn’t look like it.

Suddenly, Mark’s phone pings; he’s got a message from his wife. “These things are coming from beneath the ground and sunlight makes them grow bigger and bigger. Please come home,” she says. His desire to live re-ignited, Mark goes back to the vertical shaft the alien was in and uses the phone to attract a monster. It crawls up and takes Kate’s body, unplugging the shaft (he could have pushed her body into the shaft much more easily).

Mark then crawls up the shaft toward the light. A monster attacks, but Mark sets it on fire with the lighter and alcohol they found; it backs off quickly.

As Mark emerges into the daylight, he sees that the monsters have grown to skyscraper size outside, and there are many, many, eggs.

Brian’s Commentary

This is one very dark movie. Make sure you watch this one at night, in a dark room, or you’re likely to miss something. That said, being so dark, they didn’t have to show as much of the creatures. I think they were going for the same kind of scares as “The Descent” (2005), but the characters and tunnels here aren’t as interesting. We get to know more about them as they go along, but the whole film is basically just two characters in a narrow tunnel, so it takes a lot to make that interesting.

It was a good concept, but I felt it was too slow-moving. I was yelling at the screen after Mark just lay there talking to Kate’s corpse for like twenty minutes in front of the exit. The creatures do look really good once we get to see them and the ending was bleak enough to satisfy me. Overall, I thought it was entertaining, but there are some issues with the characters making dumb decisions.

Kevin’s Spoiling Commentary

I had excellent dim viewing conditions, but like Brian said, it is best in a dark room. Dim room at least. I can still see.

Those two must have had really fit legs by the time they were done, as much squatting and crouching they had to do working their way very realistically to an escape.

What a situation. Like just surviving an impact like that and having to work very hard to try to dig yourself out isn’t hard enough. Imagine being pursued by meat-eating creatures too. I like how little we see of the creatures for so long. The characters don’t see them either for a long while, only hearing the sounds. It really helps tighten the sense of being there in the same boat with them. And then we all see them. Why did it have to be spiders?

I don’t ever want to be in a situation where someone asks, “Is your flashlight waterproof?” That water scene was chilling.

The acting is amazing. It’s immersive. I thought it was excellent. Full disclosure, my computer locked up, I was doing remote work, and I didn’t see the last 20 minutes. Right around when Kate died. I won’t mind rewatching the first part to get there.

2025 Brute 1976

* Directed by: Marcel Walz

* Written by: Joe Knetter

* Stars: Adriane McLean, Sarah French, Gigi Gustin

* Run Time: 1 Hour, 45 Minutes

* Trailer:

Spoiler-Free Judgment Zone

It’s another killer family and a group of victims who are in the wrong place at the wrong time. They captured the retro look and feel of this one very wel