Episode 5 - Idiomatic Improvisation: Where Theory Meets Aural Skills - Alexandrea Jonker and Peter Schubert

Episode 4 - Idiomatic Improvisation: Where Theory Meets Aural Skills - Alexandrea Jonker and Peter Schubert

Episode 3 - Idiomatic Improvisation: Where Theory Meets Aural Skills - Alexandrea Jonker and Peter Schubert

Episode 2 - Idiomatic Improvisation: Where Theory Meets Aural Skills - Alexandrea Jonker and Peter Schubert

Episode 1 - Idiomatic Improvisation: Where Theory Meets Aural Skills - Alexandrea Jonker and Peter Schubert

From the Sidelines: an in game look at Johanna Beyer’s Music of the Spheres - Craig Peaslee

Nicole Mitchell’s Mandorla Awakening II and the Sounds of Afrofuturist Theory - Audrey Slote

Reimagine the Sound: Or, How to Improvise a Cecil Taylor Improvisation - Mark Micchelli

Fuguing Essential Voices: An Informance of J. S. Bach's Prelude and Fugue, BWV 1011 - Daniel Ketter

“In the Days of Auld Lang Syne”: Stability and Bagpipe Music in Hong Kong (1997-2024) - Samantha Sasaki

Dual Leading Tone Loops in Post-Millennial Pop/Rock - Brad Osborn

Voice and Agency in Henryk Górecki’s Symphony No. 3 - Jason Jedlička

Playing Dress-Up: Co-Performance in Mozart’s Abendempfindung K. 523 - Lydia Bangura

Teaching Rhythm and Meter through Rap and Hip Hop: An Interview with Mazbou Q - Olivia Lucas & Mazbou Q

I will not tell you: Disconnection, Reticence, and Ambivalence in Heyman's “Tortie-Tortue” - Anna Stephan-Robinson

Terminal Openings: Interpreting Songs that Begin by Ending - Joon Park

Formal and Textural Processes in Contemporary Worship Music - Leah Amarosa

The Role of Reprise and Revision in 'Shrek the Musical' (2008, 2024) - Zachary Lloyd & John Combs

The Impact of Timbre on Perceptions of Genre in Recorded Popular Music - Stefanie Bilidas & Grace Gollmar

Agency and Practical Model Composition in the Music Theory Classroom - Brent Ferguson, Alani Pranzo, Carter Falkenstein, and Nykia Osborne