The New Yorker, August 16th & 23th 2010: Part 2 (James Surowiecki, Tad Friend, Joan Acocella) Audiobook by James Surowiecki, Tad Friend, Joan Acocella
Update: 2010-08-18
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Title: The New Yorker, August 16th & 23th 2010: Part 2 (James Surowiecki, Tad Friend, Joan Acocella)
Author: James Surowiecki, Tad Friend, Joan Acocella
Narrator: Dan Bernard, Christine Marshall
Format: Highlights
Length: 2 hrs
Language: English
Release date: 08-18-10
Publisher: The New Yorker
Ratings: 4 of 5 out of 7 votes
Genres: Newspapers & Magazines, News & Culture
Publisher's Summary:
In this issue:
THE FINANCIAL PAGE
"Soak the Very, Very Rich", by James Surowiecki: Building a smarter tax code.
THE TALK OF THE TOWN
"Dry Run", by Mimi Sheraton: Americas hope preps for the culinary Olympics.
"Graphic Novel", by Samantha Henig: Artists reimagine Richard Price's Lush Life.
DOWNTOWN CHRONICLES
"Sleeping with Weapons", by Tad Friend: Why did John Lurie disappear?
A CRITIC AT LARGE
"Queen of Crime", by Joan Acocella: How Agatha Christie created the modern murder mystery.
POP MUSIC
"The Dotted Line", by Sasha Frere-Jones: What do record labels do now?
Title: The New Yorker, August 16th & 23th 2010: Part 2 (James Surowiecki, Tad Friend, Joan Acocella)
Author: James Surowiecki, Tad Friend, Joan Acocella
Narrator: Dan Bernard, Christine Marshall
Format: Highlights
Length: 2 hrs
Language: English
Release date: 08-18-10
Publisher: The New Yorker
Ratings: 4 of 5 out of 7 votes
Genres: Newspapers & Magazines, News & Culture
Publisher's Summary:
In this issue:
THE FINANCIAL PAGE
"Soak the Very, Very Rich", by James Surowiecki: Building a smarter tax code.
THE TALK OF THE TOWN
"Dry Run", by Mimi Sheraton: Americas hope preps for the culinary Olympics.
"Graphic Novel", by Samantha Henig: Artists reimagine Richard Price's Lush Life.
DOWNTOWN CHRONICLES
"Sleeping with Weapons", by Tad Friend: Why did John Lurie disappear?
A CRITIC AT LARGE
"Queen of Crime", by Joan Acocella: How Agatha Christie created the modern murder mystery.
POP MUSIC
"The Dotted Line", by Sasha Frere-Jones: What do record labels do now?
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