"I want to show the word that you can choose light . . . no matter how much dark you saw, or what's going on in Israel now, or what's going on in the world, there's still a choice.”

As we mark one year since Hamas’ massacre of Israelis, Israeli DJ Daniel Vaknin, 30, shares his harrowing experience from the Nova Music Festival, where 340 attendees were brutally murdered in the deadliest event in music history. 

Vaknin recounts the chaos as rockets from Gaza struck, triggering a desperate evacuation and his narrow escape while being shot at, taking refuge in nearby Kibbutz Sa’ad at the home of an 88-year-old Holocaust survivor. Vaknin highlights the incredible resilience of the Israeli people and the pressing need for global support to bring the hostages home.

*The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.

Listen – AJC Podcasts:

• The Forgotten Exodus: with Hen Mazzig, Einat Admony, and more.

• People of the Pod: 

• Is Nasrallah’s Death a Game-Changer? Matthew Levitt Breaks What’s at Stake for Israel, Iran, and Hezbollah

• At the UN General Assembly: Jason Isaacson Highlights Israel's Challenges and the Fight Against Antisemitism

• From Rocket Attacks to Exploding Pagers: Michael Oren on Escalating Tensions Between Israel and Hezbollah

• Paris 2024: 2 Proud Jewish Paralympians on How Sports Unites Athletes Amid Antisemitism

Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod

You can reach us at: peopleofthepod@ajc.org

If you’ve appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify.

__

Transcript of Interview with Daniel Vaknin:

Manya Brachear Pashman

Daniel Vaknin is a 30-year old Israeli DJ and music event producer. He was not one of the DJs responsible for the soundtrack of the Nova Festival on October 7. He was there as a fan seeking a fun weekend. He arrived less than half an hour before Hamas terrorists stormed the border between Israel and Gaza, killing more than 1,200 people, including more than 300 at the music festival. 

Vaknin managed to survive, but since that day, he has dedicated his time to advocating for the hostages still in captivity. As we marked one year this week since the Hamas terror attacks, Daniel is with us now to share the story of his harrowing escape. 

Daniel, welcome to People of the Pod. 

Daniel Vaknin: 

Thank you for having me.

Manya Brachear Pashman

I can’t imagine, I don’t want to imagine being at a music festival like Lollapalooza for example and it all coming to a sudden and terrifying end. But I think it’s important for us to put ourselves in your shoes. Can you take us back to the Nova Festival that morning? 

Daniel Vaknin:  

So for me, the Nova festival, it's not only the Nova. It's the festival of the trance (with a c) music festivals. It symbolizes and it represents love. It's supposed to represent the connection to the nature it's supposed to represent our connection, no judgment, happiness, joyful, of course, at the end of the day, it's an amazing community of fans of specific genre of music that looking for more and more festivals and more and more events to enjoy, to celebrate, to dance, to express yourself in so many ways. So people think that the festivals or the trance (with a c) music, supposed to be about music, but it's not.

When you go to this kind of festival, to this kind of event, you can walk around and people open up their tents and camps, and they're like way before they plan everything, and they bring their most colorful clothes, and they bring so much food and drinks. And you can really go through the sta;ls and see art and paints and clothes that you can buy and bags that people sell or made by themselves and want to express themselves. People are dancing, it’s a festival. I think that's exactly the description that you're supposed to have when you ask Google, what is a festival? 

So it's not only about music. There's so many things in it, and that's what it represents for us, and that's what it represents for me, because not all the time I'm going only to dance. Sometimes I just want to hang out. Sometimes I just want to see new stuff, buy some stuff, and express myself with different people, to meet new people.

Manya Brachear Pashman:

Why did it take place on the Gaza envelope? Was it always in that field?

Daniel Vaknin: 

So for the people that don't live in Israel, and I'm not saying it in a bad way. I'm just saying in general. I want you to know. I want you to understand. I work in the music industry, in the music production for almost 12 years. To make an event in Israel, unfortunately, Israel is a small country. Where it's a blessing and a curse, because it's a small country and everyone is together, but unfortunately, we don't have a lot of space. And we have a lot of borders, and that's okay.

So 70% of Israel's open space, open fields, are military training. You cannot enter or make any kind of events in almost 70% of the country of the open fields, because the military is training there. And it's like you cannot. It's like high called area 51 that you got here, United States, nobody can enter, right? So that's why we got there. And let's say, and again, what I'm saying right now, it can be a percentage here, a percentage there, but let's say 30% that we got left it's or near borders, Lebanon, up north. We got Syria, we got Jordan, we got Egypt, and now we got Gaza. 

And not only that, it means that we got people that owns the lands and maybe doesn't want festivals around their houses, their farms. They don't want you to interrupt the quiet that they have next to their kibbutzim, or, you know, their families, and let's say, even more than that, some of the areas are not proper to have festivals. Like maybe it's too muddy, maybe it's too grassy, maybe it's forest.

Maybe the country, the government there's like, I don't know you call it here, but we have this company. Or maybe it's not the right word, that take care of all the trees and all the forests in Israel, like the government official. And they don't want you to make festivals, because they want to take care of the lands, or they're taking care of the lands right now, or the farms. 

So it happened near Gaza only because of one reason. It's Israel. As long as it's Israel, as long as it's a place that’s called Israel, that's a land of our country, I can make parties wherever I want, as long as it's called Israel. It was near Gaza, because the kibbutzim is near Gaza. 

It's like to ask Sarah Jackson, the Holocaust survivor that host me while I was escaping, why she is living in Kibbutz Sa’ad next to the border, 2.5 miles. If you ask her, that's her house, that's her home for 50 years, even before Gaza. So I think to explain the best way is that I cannot ask you why you're doing in your balcony a party, because that's yours. Once you're out of your balcony, and that's not your property, I can ask you why you decide, or why you chose to do this. But I think as long as my property, it's Israel.

Manya Brachear Pashman:

There was also a ceasefire in place, and therefore a reasonable sense of confidence that it would remain peaceful and safe. 

Daniel Vaknin: 

Yes,right. So all this time we have a ceasefire. Everybody knows about it, and I won't tell you that once every three months, every five months, we're going to have a one missile launch from Gaza, and that's okay, you know, in the circumstances, because we have the Iron Dome, and we understand that sometimes it cannot be so peaceful, because things happen. But we have our military, we have our fences, we have our Iron Dome that costs Israel so much money. Every missile, every this kind of huge operation, costs a fortune, and we do the best we can to defend the country without interrupting the peace. So yeah, it was quiet and peaceful.

Manya Brachear Pashman:

So let's talk about that day and when that