The SFFaudio Podcast #866 - AUDIOBOOK/READALONG: Detour by Martin M. Goldsmith
Description

The SFFaudio Podcast #866 – Detour by Martin M. Goldsmith, (4 hours 8 minutes) read by Ben Tucker for LibriVox, followed by a discussion of it. Participants in the discussion include Jesse and Alex (Pulpcovers)
Talked about on today’s show:
1939, only four novels, the movie, the movies, the 1945 one, an incredibly close recreation, everything with sue, identical lines, cut out, just over an hour, the car is a different car, set after the war, a prewar car, a 1941 car, war production cars, a whole history of wartime industrial policy, all civilian production, consumer goods, more volume, keep the people at home happy, not as many cars, models from 1943, the car is described, a gray buick with a rumble seat, ’36, set a year before it came out, “the rumble”, really good read, had to stop listening, so good, bang this out, at a swim meet, 7:30 , done by 9, there’s no drag, no ending, the first two thirds of a really good book, the tweet, holding something, suddenly stopped, something happens in the book, save the rest, think about this for a book, The Postman Always Rings Twice, Double Indemnity, 99 pages, judging for hugos or edgars, novella, the kind of book, addicted to paperbacks, I’m off the bus, what a great book, how come all books aren’t like this, noir gut punch, it’s dark, there was a point in the book, Vera gets the car, where’d you put the body, what do you say to that, in their conversation, is this a surreal novel, is she gonna kill him and continue down the road, endless highway to Los Angeles, a Twilight Zone episode, wrote 2 episodes, 1964 season, this thing is never gonna end, caught me out, suddenly have chapter 2, Alex Roth, his girl’s pov, Sue, totally jumped, that was his girlfriend, she’s gotta whole life going, a parallel story, what’s cut out of the movie, the two stories don’t really touch, flashback stuff, she reads the article about him, the only interaction, thematically it fits, wasn’t extraneous, just in memory, more surreal, waiting faithfully, we don’t know what she’s like, she is not a nice person, the Vera in the movie, also not a nice person, Sue is pretty horrible, incredibly selfish, somehow even worse, justify everything to herself, putting these two together, catching up to her, parallel stories, one’s an aspiring actress, professional violin player, seeing Sue from Alex’s pov, she seems like a nice kid, seeing what she does to Raoul, Alex and her roommate, you’re just not that good of a lover, he kinda deserved that, she just does this to everyone, she is a monster, what won’t I do to be a movie start, degrade myself in every possible way, a little bit like Sunset Boulevard, how terrible Hollywood is, it’s very good, film noir from that period, the book is just crackerkjack, in a police cell telling this story, bummin around, can’t go to New York, Los Angeles or Phoenix, regretful, all a confession, arrested for his own murder, no I’m the musician, your dead dad, the only one who knew about the scar, nope, I’m with Raoul now, already had a wife, screw his almost ex-wife, the point, we like our Alex Roth, too deep in with him, tired, sunstroke, can’t believe his luck, a hamburger, a sign, delay you, they do go off the road, changing the top on the car, the guy he’s replacing, this guy’s a monster, stole his mom’s wedding ring, took his brother’s eye out, any human that isn’t a total monster, brother in New York, roommate girl, side character, sleeping in the same bed, they’re poorer, literally in the same room, not a king sized bed, girls are a little smaller than people, the reveal, reveal, reveal, Hendrix, I strangled her, what!, wow!, where am I, this is about half-an hour before she died, in the movie he does strangle her it is kind of an accident, the marks on her neck, so squishy, so bendy, when she pivoted at the waist, her head being floppy on the top of her neck, strong images, Vera takes the phone and runs into the bedroom of the hotel, tangled up in the phone line, a little bit less deliberate, the movie is more censored in terms of sexuality, what’s the worst you can do rape me?, douche, books are completely uncensored, tended to be across borders, you can’t get Lady Chatterly’s Love imported, straigh up porn literature, it’s just hard and noir, striking, comparisons, magazines had more censorship, sent through the mail, delivered by trucks, how they got comics too, we might have to look at regulating, EC comics goes out of business, stop for the border checks, the fruit of livestock, provincial stuff too, whatever animals infesting the fruit, seemed weird until asking about the fruit, going back to the character, Haskell, he’s got something wrong with him, he was dead before he hit his head on the stone, these are all excuses, utterly fails, impulsive, he can explain, look it wasn’t me, the worry about him rolling the guy, the Fredric Brown, The Screaming Mimi, it didn’t record, just go read [it], a real ending, funnier, entertaining and interesting, nervous laughter, what to think about some of the things going on, intial impression, maybe the car was stolen, his angle, the scars on his wrist, the scar on his arm, he raped a girl, sometimes girls get passionate, she nails you, makes light of it, if you see a pharmacy wake me up, smoking marijuana cigarettes, why is he doing that, pain?, mental pain?, somethin’s wrong with her, it was Vera, she was the one he was having sex with, the woman on the page, fuckin dangerous and evil, sympathy for her, she is definitely dying, she wanted to have a real life, she wanted to be a star, cynical and pouting, he picks her up, why?, she’s a girl, this kinda book is about this idea, hitchhiking, a dead thing, pretty much dead, no one’s going to stop and pick you up, probably a serial killer, serial killer picks up another serial killer, first experience of this book and this novel, The Hitcher (1986), roadside diners, driving through the desert, Rutger Hauer, C. Thomas Howell, somebody to talk to, lonely, people need people, keep awake, talking keeps me awake, he buys our hero dinner, and breakfast, a steak, driving across country by yourself, a huge long drive, so helpful to the hitchhiker and it costs you so little, normal people, we’re all in this together, being a little more kind to our fellow man, Christmas and it is snowing, poor stranded motorist, what a scenario, rewatching it, what the hell is his motivation, repressed homosexuality, he wants to be killed, a very iconic and strange movie, Eric Red, the same scenario, the story changes you, taking on the persona, his billfold in your pocket, his name, he’s wearing the man’s clothes, driving the man’s car, this road is an endless highway, she got out of that car, she met someone who was her but a man, reading the letter he didn’t send to his dad, I’m selling bibles to churches, a good business investment, a number on the horse, the fix was in somehow, the roommate, sympathy for Raoul, seducing waitresses where his wife works, a weaker less aggressive version of Alex and of Sue and Vera too, binder full of narcissism, commercial for toast, actors care about their image, make emotional connections to other humans, because it is about the road, New York and Los Angeles, poles of Americanness, he can go anywhere, a piano, where is his fiddle, he sold it, he can get any old fiddle anywhere, his music teacher, everybody has to make a connection, she’s an interesting strong character, motivations: spite, companionship, some company in her last days, terrible to everybody, kidnapped him, takes all the money and everything, this scam, get 7 million dollars, take the $700, a bird in the hand vs. $7 million in the bush, playing cards, gettin ripped, smokin, not a kind word, these are broken horrible people, she’s quiet and she’s sleeping, pretty hard, the wonderful line, ancient primal, she was Adam’s wife, Noah’s wife, archive.org, read it in the browser, on your phone it scrolls, mostly the phone, a really nice clear scan, it is public domain, filthy like that, without a mask of cosmetics, primitive geezer would have gone for, she’s getable, as a passenger, he’s feeling great, drivin the car, being generous, give em big tips, only a few hours to live, final supper, ultimate supper, makes a joke, come back soon, a cute little joke, a grim joke, cynical, come out to Los Angeles, you don’t need to be faithful to me, she understands men, I ain’t going to be faithful to you, very naive, so James M. Cain, so hardboiled, at the end our hero doesn’t die, the free gas the goverment gives you, that Arizona perfume, ISFDB, set in realtime, the bombing of New York by the Nazis, an America bomber, multi-stage rocket, NASA guys with German accents, Doctor Strangelove, everything goes back to somewhere, are they prescient or is everything cyclical, bigger than the War Debt, WWI, the War in Europe, income tax, inflate everything up, people on the road trynna make a life, controlled by their human instincts, nice to spend time with people, change your location, our description of Alex from Sue’s perspective, beating people up all the time, the outside POV of him, he’s pretty nasty, until strangles Vera, a screenshot, 80% through the book, he’s doin his best, a good point, the cops aren’t just gonna believe him, this setup, who’s gonna believe he didn’t do it, our narrative of hitchhikers are dangerous, understanding what happened there, a first person perspective, I strangled her, from whatever Vera did to him, he was pretty sluggish, doctors on the side of the road in the rain, the cop comes by, what are you doing down there, oh I see, button that up, peeing, a very fate book, on a highway headed in a direction, be generous, saying to yourself, just kept driving, it’s the same car,



