You might think I’d be the target audience for Six. I am, after all, obsessed with reframing old stories so as to give women some power they otherwise might not have in their narratives.

But while Six seems to think it’s doing that, it almost feels like the opposite.

The premise is paper thin. The six wives of Henry VIII gather together to put on a show and have a contest to see who had it worse. (Spoiler alert?) That’s really all there is to the show.  Each wife sings a song about her troubles and then they spend the last five minutes trying to imagine an alternate history. That is literally all there is to the show. It’s a variety show disguised as a musical. Which, you know, fine, what do I care? Variety shows can be fun.

I resent it, though, and I suppose it’s because they’re framing it as if they are doing these historical women a favor by dressing them up in pop star girl boss outfits and giving them some bland songs with vocal calisthenics to sing. Somehow I doubt any of Henry VIII’s wives would appreciate it.

They call it a history-mix. Get it? It’s like a remix but with history.

To keep reading Your Favorite Feminist Killjoy Goes to See Six, The Musical visit the Songs for the Struggling Artist blog.

This is Episode 388

Song: I'm Henry the Eighth, I Am

Image be Reedturner via Wikicommons

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Emily Rainbow Davis