What is dark tourism and why are many of us interested in places associated with death and tragedy? How can you write and self-publish a premium print guidebook while managing complicated design elements, image permissions, and more? With Leon Mcanally.

In the intro, level up with author assistants [Written Word Media]; and Blood Vintage signing pics.

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Leon McAnally is the author of A Guide to Dark Attractions in the UK.

You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. 

Show Notes

• The definition of dark tourism and what types of places it includes





• Public opinion around dark tourism sites





• Self-publishing to keep creative control of book design and content





• Researching historical sites and keeping an organized system





• How to obtain permissions for publishing images





• Working with a designer on a photo-heavy book





• Using book signings and social media as part of a book marketing strategy





• Managing expectations for research- and design-extensive projects

You can find Leon on his Facebook page: Dark Attractions in the UK.

Transcript of Interview with Leon McAnally

Joanna: Leon McAnally is the author of A Guide to Dark Attractions in the UK, which is brilliant. My quote is on the back, and I said, “A fascinating book for all the dark little souls out there.” So welcome to the show, Leon.

Leon: Thank you, Joanna, for having me.

Joanna: I'm excited to talk about this topic, and you and I are both dark little souls. First up—

Tell us a bit more about you and how you got into writing and self-publishing.

Leon: Well, I studied travel and tourism in college. That's where I first learned of this term called dark tourism, places associated with death, suffering and tragedy. I came away looking into these places and was really fascinated with the tourism aspect and the history aspect.

My university touched on this topic more, so I went and studied Travel and Tourism at the University of Northampton. I focused a lot around the motivations of dark tourism and the ethical issues around dark tourism.

After uni, I wasn't sure what to do, but I wanted to travel to a lot of the places that I'd been writing about, like Auschwitz and the Catacombs of Paris. Then I got into writing because I came across yourself, actually. When I was researching dark tourism, I think you popped up on a website. I started reading your ARKANE thriller series and looked into yourself a bit more, and I was like, you're just an inspiration.

Joanna: Thank you.

Leon: So it seemed from that, and then yourself. Then I was in Paris visiting the Catacombs at the time, and that evening I sat down and was like, what do I do with myself now? Then I thought to myself, there's no book that covers like dark tourism across the whole of the UK. So, yes, it set me off on a journey, really.

Joanna: First of all, I'm really thrilled to inspire you. I'm glad I turned up on some website, that's excellent.

Let's just return to this idea of dark tourism.

You mentioned places associated with death, suffering and tragedy. You mentioned two places that are quite different, Auschwitz, which of course, is modern horror, really. Then the Paris Catacombs, which, if people don't know, are full of plague dead, but it's bones that are arranged in different ways. I find the Catacombs an awesome place. I'm sure you enjoyed it as well, right?

Leon: Yes, definitely. It was really eye opening.

Joanna: Exactly. I think those two places are disturbing in different ways. People are like, why are the pair of you interested in this stuff? So what do you think? You mentioned studying the motivations. Why do people visit these places?

Why do you and I find these ‘dark tourism' places interesting?

Leon: I think there's a number of factors at play. It depends on the place you're visiting because dark tourism is an umbrella term for loads of places, and that's what a lot of people don't realize.

So it could be that you go to a memorial to remember people who have tragically died. It also could be a totally different place, and it makes you perceive life differently and how you wish to be known in life, as well as after life.

The Victorian cemeteries that are within my book, The Magnificent Seven cemeteries in London, I visited them. So one, they gave me a kind of inspiration and motivated me with my book.

Also, I look at the people who are buried there and how they are known after life. Like they were known back when they were alive, and they're still being known, and their story and their life history is being retold.

Joanna: I mean, you're still in your 20s, and I'm nearly 50, but—

We share this idea around Memento Mori, “remember you will die.”

By going to these places, it's almost inspiring—you mentioned the word inspiration—inspiring you on how to live your life.

Leon: Yes, that's one thing from each place I've visited, while they are different, it still drives that determination in getting my book out there and getting these places known.

There's so many simple memorials to massive tragedies. There's one in Barnsley, a memorial to a coal mine disaster, I believe it killed 361 people.

I look at that and think of the Aberfan in Wales, that is an awful disaster as well, and that's a kind of well-known disaster. It tragically killed a number of children, and that's really well known, but I feel like this other one in Barnsley should just be as well-known as that one.

Joanna: Yes, if people have seen The Crown, they show that Welsh tragedy on The Crown. I can't remember which series.

I get what you mean, like some of these things are more famous than others. For example, Auschwitz, obviously that's not in the UK, but many people will have heard of that and the deaths that went on there. There were so many other camps, that was not like the only camp, but that seems to be what people think of.

So as you say, it's remembering the past, but also helping us live in the future. So I did also want to ask, what reactions have you had around this? So do your family think you're weird? Do your friends think you're weird?

What are the reactions of people who know you?

Leon: When you're going to these p