On this episode of Ki to the City, I was joined by Scott Engler of Two Rock Aikido, a long-time student of Richard Strozzi-Heckler Sensei.

Scott’s journey represents a remarkable path of integrating intellectual pursuits with physical and somatic disciplines. His story moves from the rarefied air of academia and the stark environment of corporate technology to the Aikido dojo and, eventually, to becoming a professional practitioner of Biodynamic Craniosacral Therapy.

Check out his website here: Heart of Stillness

(And his Instagram is replete with informative and inspirational content)

In his own words, Scott began his adult life as a highly academic person, focusing his university studies on ancient Greek and Latin, becoming deeply fascinated with the ancient world.

Interestingly, at the same time he was entrenched in those studies, he was competitively engaged in saber fencing, a Western martial art. He recalls that fencing generated a profound sense of aliveness—a feeling he describes in detail—a feeling much the same as what he experiences in the dojo.

Scott later transitioned into the burgeoning world of computers, working for large software companies. However, the sedentary reality of “sitting in cubicles” proved physically taxing, eventually leading to breakdowns in his neck and back, compelling him to seek solutions like chiropractic care and massage.

This crucial period marked his recognition that body awareness and touch needed to be integrated into his life in profound new ways.

The catalyst for his full commitment came at the end of 1991 when a friend introduced him to Strozzi-Heckler Sensei’s influential book, In Search of the Warrior Spirit.

Scott found the book to be a huge, personal revelation, speaking directly to his inner struggles, particularly the conflict between a deeply rooted pacifist side and a martial side, and questioning how to handle confrontations or bullies. This synchronicity deepened when he realized Richard Sensei lived nearby, leading him to the dojo in February 1992. At this pivotal moment, during a painful personal transition, when the ground was shaking beneath him, he found in Aikido and in Richard Sensei a guide to what would become his life’s work.

A central theme of Scott’s training is Somatics, defined for as the art and study of the soma—an ancient Greek word for body. Scott elaborates that Somatics views the whole person—heart, mind, soul, spirit, and physicality—as interconnected. He explains that Aikido is inherently a somatic art, along with all martial arts, provided they are approached as a means to expand beyond mere technique and encompass the entire self and one’s conscious creations. This holistic approach is seen as a therapy for the schism or disconnect often fostered by Cartesian dualism in Western thought, offering a path to a more unified, aware way of being.

Scott’s current professional practice, Biodynamic Craniosacral Therapy (BCST), flows directly from his somatic foundation. BCST originated from cranial osteopathy and is distinguished by its focus on the body’s inherent, subtle processes rather than just the biomechanics of tissues, tendons, and bones. In BCST, Scott places his attention on the unified fluid field within the body, listening intently to the slow, deep rhythm described as the “primary respiration” or the “long tide”. This practice is fundamentally concerned with supporting the body’s innate healing capacity, offering a less mechanical route than other forms of bodywork.

He made the deliberate decision to transition to this work full-time in January 2007, recognizing the necessity of cultivating his practice over a “long horizon view”.

Our conversation bridges Scott’s deeply physical and therapeutic work back to his intellectual roots in ancient Greek and Latin, in the oldest literature: the epic poems Iliad and Odyssey.

These are essentially warrior stories, but when studied deeply, they reveal clues about the universal human condition, mortality, and the complex questioning of violence.

Together, we muse on the relationship between this ancient, martial-themed literary tradition and the modern martial path of Aikido—comparing the feeling of wrestling with the nature of a life defined by cubicle work, political cataclysms, and economic necessity, with the more acute fatalistic stresses of “battle”.

Ultimately, Scott’s story embodies the somatic ideal: turning life’s conflicts and ruptures into generative actions, cultivating a path toward a more “vivid peace,” through the expansion of awareness and the continuous practice of being truly alive.

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